Births Deaths Marriages, Enslaved People, Free People of Color, Newspaper Articles, North Carolina, Paternal Kin, Photographs, Vocation

These Artises.

“It comes from Fremont, Wayne county, that Adam Artis, colored, 75 years old, who lives near there, is the father of 47 legitimate children and that in addition there are 80 or 90 grandchildren.”   — Statesville Landmark, 9 Jan 1906.

Try as I might, I can only account for 32 children.  My great-great-grandmother, by Adam’s third wife Frances Seaberry, was one of them.  Adam was born in 1831 in Greene County, North Carolina, to a freeborn mother and an enslaved father.  They gave him the middle name Toussaint, and I’d love to know that story.  He was apprenticed as a carpenter and purchased his first acreage in 1855 from his brother-in-law, John Wilson.  Over the years, he bought and sold a few hundred acres in northern Wayne County, and descendants still live on land that was his.  It is said that his fifth wife, 50+ years his junior, treated him badly in his last days, and was so afraid that he would haunt her that she had his feet cut off before the burial.  No photos of him remain, but his legacy is well-secured.  As his granddaughter Beulah Williams once told me: “These Artises, they are innumerable.”

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Maternal Kin, Photographs, Virginia, Vocation

Look at that.

John Allen on Aberdeen worksite

I rode through Aberdeen Gardens two or three times while I was in Newport News. “By Negroes, for Negroes” reads the historical marker near the school. Boxy, red-brick houses counterposed in neat lines along streets named for community heroes. My grandfather John C. Allen Jr. was a drywall supervisor during their construction in the late 1930s. Though he disdained the building standards, he briefly moved his family into one of the duplexes when my mother was three weeks old. Semi-furnished. A chicken coop out back. A vegetable garden. By 1940, the family was gone, into the two-story house on 35th Street that my grandmother called home until she died. There’s a rose alongside the porch that still blooms where my grandfather planted it, and he passed in 1948. This house is the most constant edifice of the whole of my life. My Gibraltar. Upstairs, my grandmother slept in the double bed that they brought with them from Aberdeen, along with a squat chest and a nightstand. Solid oak in a simple Shaker style. “Not a drawer sags to this day,” she told me, marveling. She pulled one precariously far out. “Look at that.” I gently tested its solidity. I laughed.

aberdeen

Above, John C. Allen (third from right) and his drywall crew at Aberdeen Gardens, circa 1937, and floor plan of Aberdeen Gardens home.

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