Births Deaths Marriages, Free People of Color, Land, North Carolina, Paternal Kin, Photographs

Where we lived: Adam Artis’ Eureka.

Adam Artis bought and sold hundreds of acres in northeast Wayne County in the last half of the 19th century. Almost 160 years after he filed his first deed, his descendants remain on pockets of his land strung along Highway 222. More enduringly, their family cemeteries cluster east of Eureka toward Stantonsburg — at the heart of his erstwhile empire.

#1 marks the location of Adam Artis’ grave. His many wives and children notwithstanding, until the mid-1980s, his was the only readily identifiable grave in the plot.

#2 is the self-proclaimed “Historic John I. Exum” cemetery. Adam’s kin intermarried considerably with Exums, including his granddaughter Cora Artis, who married John Ed Exum, and his sister Delilah Williams, who married Simon Exum. Delilah and Simon, however, are buried at #3, along with several of their descendants.

Red Hill Road debouches into 222 across from #3. Not a half-mile back up the road, at least two and possibly four of Adam’s sons rest. Noah and June Scott Artis are buried in #4 with several of June’s offspring, as well as their brother Robert‘s wife and their brother Henry J.B.‘s wife and children.

About a half-mile, as the crow flies, south of #3 is #5, which contains the graves of Adam’s son William M. Artis and his descendants, as well a daughter of Adam’s brother Jesse Artis.

The road snaking northwest out of Eureka becomes Turner Swamp Road past the city limits. Just off the edge of this map, perhaps a mile up the road, stands Turner Swamp Baptist Church, once led by Jonah Williams, brother of Adam Artis, Jesse Artis and Delilah Williams Exum. A sizeable cemetery lies behind the church, and it contains the graves of Magnolia Artis Reid, daughter of Loumiza Artis Artis, who was another Artis sibling, as well as descendants of Zilpha Artis Reid and Richard Artis, yet more siblings. Turner Swamp itself appears as a dark green curve bracketing the upper left corner of the photo. It is likely that the original location of the church was north along the banks of the waterway, at the site where the overgrown graves of Jonah Williams and his family lie.

Back in the other direction, east on 222 toward Stantonsburg, lies Watery Branch Road. (The branch itself is the dark green sword piercing more than halfway into the frame from the right.) Perhaps a quarter-mile, if that far, down the road on the right lies the Diggs cemetery, another small family graveyard. Celia Artis, born about 1800, the wealthiest free woman of color in Wayne County, was the Diggs’ matriarch. She and Adam Artis’ kinship, if any, was unknown even to them. Two of Celia’s great-granddaughters married a son and a grandson of Adam Artis. Leslie Artis, his wife Minnie Diggs Artis, and some of their descendants are buried here.

Births Deaths Marriages, North Carolina, Paternal Kin, Photographs

Family cemeteries, no. 6: another Artis brother.

Just south of Eureka, I crunch slowly up a gravel driveway toward a large, modern house. Three dirty-blond boys, alike enough to be brothers, stop their play in the garage to stare. I halt and ask permission to cross a small field to a cemetery marooned on a little island in its midst. They nod assent and return to their pastime, hip-hop blaring behind them. A lounging Rottweiler pays me no attention; a beagle mix wags greetings and accepts a head pat. I traverse perhaps 75 feet of damp soil to reach the hammock that holds the remains of William M. Artis and his family.

William and Etta Diggs Artis and children Doris, Tom and Elmer, mid-1930s.

William, son of Adam T. Artis and Frances Seaberry Artis, was in his 30s when he married Etta Diggs (1888-1988), daughter of Margaret Diggs and an unknown white man. Margaret Diggs was the daughter of Frances Artis, born free around 1842, and William Diggs. Frances Artis’ parents were Celia Artis, a wealthy free colored woman, and, reportedly, James Yelverton, a white man. Celia Artis was not related, at least in an immediate way, to William’s father, Adam.

It’s hard to tell below, but the William Artis graveyard is completely encircled by plowed land.

It’s in tolerable condition. Weedy, but it’s clear that it is periodically mowed.

Up close, one finds William and Etta,

and several of their ten children, including:

Others buried here include Frances Artis Edmundson‘s husband John H. Edmundson; Beulah Artis Best‘s husbands Leslie E. Exum and George Best; Leslie Exum’s mother, Ada Artis Exum Rowe, who, as the daughter of Jesse Artis and Lucinda Hobbs, was William Artis’ first cousin; and William and Etta’s daughter Margaret Artis Thompson (1910-1981) and her husband, J. Leslie Thompson.

This house stands in front the graveyard, facing the road. Was it William Artis’?

Beulah and Margaret Artis on either side of their cousin, Helen Carter, probably 1930s. Helen’s mother, Beulah Aldridge Carter, was their first cousin.

Copies of old photos courtesy of the late Dorothy Carter Blackman; others taken by Lisa Y. Henderson, December 2013.

Maternal Kin, Newspaper Articles, Photographs, Virginia

John C. Allen and Whittaker Memorial.

Sixty years today, the same day it ran his obituary, the Norfolk Journal and Guide published a photograph of my great-grandfather John C. Allen Sr., chairman of the Board of Trustees, accepting a charitable donation on behalf of Whittaker Memorial Hospital.

A few years earlier, the Journal of the National Medical Association printed this history of the hospital:

Births Deaths Marriages, Free People of Color, North Carolina, Oral History, Paternal Kin, Photographs

Family cemeteries, no. 5: Artis brothers.

I found this small cemetery down a little lane just off Red Hill Road, outside Eureka in Wayne County. A cleared section with several vaults abuts an appalling jungle of viney catbrier, completely impenetrable, in which several large headstones loom. Beyond the thicket is the neatly fenced graveyard of the Bectons, related to a set of Artises by marriage.

The graves of Noah Artis and Patience Mozingo Artis. Noah was one of Adam T. Artis‘ oldest sons, born in 1856 to his first legal wife, Lucinda Jones Artis. Patience was the daughter of Wiley and Agnes Allen Mozingo.

The grave of Amanda Aldridge Artis, who married Adam T. Artis in 1880. She was the daughter of Robert and Mary Eliza Balkcum Aldridge and died days after the birth of daughter Amanda Alberta Artis. Daughter Josephine Artis Sherrod told me that she, 12 years old at the time, found her mother’s lifeless body in bed.

June Scott Artis, son of Adam and Amanda Aldridge Artis, and half-brother of Noah Artis. His wife Ethel Becton Artis is buried beside him.

The grave of Christana Simmons Artis, wife of Adam and Amanda’s son Robert E. Artis, who presumably is also buried here.

Other family in this cemetery: Mary W. Artis, 1 Jan 1917-5 Oct 1994, wife of Edgar J. Artis; Edgar Joel Artis, 1914-1988, son of June and Ethel Becton Artis; James Brody Artis, 20 Nov 1912-10 Mar 1963, son of June and Ethel Becton Artis; Ethel Becton Artis, 3 Oct 1892-14 Oct 1994, daughter of William and Phoebe Taylor Becton; Dorena Artis Watson, 2 Sep 1925-30 Jul 1968, daughter of Henry J.B. and Laurina House Artis; Laurina Artis, 24 Feb 1895-29 Jul 1961, “wife of J.B.Artis,” daughter of Julius and Hattie Locus House; Roosevelt Artis, 11 Dec 1916-15 Sep 1918, “son of H.J.B. & Laurina Artis.” (Given the number of his children here, it also seems likely that Henry J.B. Artis lies in this cemetery.)

Photographs by Lisa Y. Henderson, December 2013.

Births Deaths Marriages, North Carolina, Other Documents, Paternal Kin, Photographs

Misinformation Monday, no. 3.

The third in a series of posts revealing the fallability of records, even “official” ones.

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The “true facts”: Jesse “Jack” Henderson was the son of Loudie Henderson and Joseph Buckner Martin. He was born about 1893.

But …

On 3 Dec 1914, Solomon Ward applied for a marriage license for Jesse Henderson of Wilson, age 21, colored, son of Jesse Jacobs and Sarah Jacobs, both dead, and Pauline Artis of Wilson, age 18, colored, daughter of Alice Artis. They were married later that day.

Jesse and Sarah Henderson Jacobs, in fact, were Jesse’s foster parents, and both were very much living at the time. Sarah Henderson Jacobs was Jack’s maternal aunt.

And this …

First, by reporting his first name as “Jack,” rather than Jesse, to the Social Security Administration, Jack effectuated a legal name change and ensured that few would remember the name he was given at birth. (He was Jesse or Jessie in the 1910 and 1920 censuses, and when he registered for the draft in World War I, but Jack in the 1930 census and thereafter.) The names he gave for his parents are mystifying. Lewis Henderson was, in fact, his grandfather. “Ludy” (or Loudie) was his mother’s name, but she was Loudie Henderson, not Jacobs. Jacobs was the surname of the uncle and aunt who reared him after Loudie’s death in childbirth. And note his birthdate: 16 Sept 1892. (His draft registration card listed 1893, month and day unknown.)

And this …

Jack Henderson’s death certificate, with information provided by a daughter, lists his parents as an unknown father and “Lucy (?) Henderson” and his birthdate as 21 April 1898.

“Lucy” certainly was Loudie. My grandmother remembered her great-grandmother’s name variously as “Loudie” or “Lucy,” but a church record and a single census entry, in 1880, confirm that it was Loudie. God only knows Jack’s birthday, but the year was probably late 1892 or 1893, as reflected in the 1900 census and on his Social Security application.

Maternal Kin, North Carolina, Photographs, Religion

Church home, no. 7: Center Street African Methodist Episcopal Zion Church, Statesville NC.

My grandmother: She was a great Methodist. And she would come down occasionally to go to church, you know. Have on all them taffeta skirts, and they were shirtwaisted skirts, you know. And she was pretty, honey. Have you ever seen any of her pictures?

And another time:

Where did they have that funeral? They must have brought her down and had her in, at the Methodist Church in Statesville. She belonged there. She would come Saturday, get up Sunday morning, honey, and put on those taffeta skirts with those pretty blouses and lace all down the front and ‘round there.

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I had not planned to go to Sunday School. I was on my way home for Christmas and stopped in Statesville just to look for Harriet Nicholson Hart‘s church. I suspected that Center Street AME Zion Church was the same as Mount Pleasant AMEZ, which still meets, but my internet search was inconclusive.

The morning was dreary and chilly when I pulled into a space across from the church. I had snapped a couple of shots with my phone when I saw a woman step from an SUV in the parking lot. “Excuse me,” I called. “I’m looking for Center Street AMEZ.” She tilted her head toward the church behind me. “This is it,” she said. “It’s called Mount Pleasant now.” I explained that my family had been members of the church a hundred years before and my great-great-grandmother had been funeralized there in 1924. We chatted for a couple of minutes, and after asking if I might peek inside, I followed her through a side door — straight into Sunday School.

A junior pastor was addressing a small gathering of adults, and I — acutely conscious of my jeans and hoodie — took a seat just inside the door. As he spoke on the necessity to reach out to youth, I discreetly glanced around. In the nave, dully gleaming brass organ pipes stretched nearly wall-to-wall. At the back of the sanctuary, a large arched tripartite stained glass window brightened the pews. At an opportune time, I introduced myself and expressed my joy at joining in a service at a church that had been so important to my family at one time. “What were their names?” “Nicholson and Colvert and Hart,” I said, “and other family lived in the neighborhood. My great-aunt was Louise Colvert Renwick.” There were nods of familiarity and expressions of welcome.

I slipped out before too long and paused again as I reached my car to gaze back at the building. A woman hurried around the side of the church, calling out for me to wait. She was the pastor’s wife and she had a small gift — a card and a CD of hymns. “Thank you for visiting,” she said. “We’re so glad you found us.”

Mount Pleasant AMEZ Church today, corner of South Center and Garfield Streets.

Center Street AMEZ Church, Sanborn map of Statesville, 1918.

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Births Deaths Marriages, Free People of Color, North Carolina, Paternal Kin, Photographs

Family cemeteries, no. 4: the Exums.

Solomon Williams and Vicey Artis‘ youngest daughter, Delilah Williams, married Simon Exum around 1870. The couple settled on a farm near both of their families and reared seven children: Ora Exum Artis (1871-1933), Patrick Exum (1873-??), Mollie (1875-??), Alice Exum Finlayson (1877-1961), Alice Exum (1879-??), Loumiza Exum (1879), William Exum (1881-??), and Simon Exum Jr. (1884-1963).

Last summer, I drove up and down Highway 222 searching unsuccessfully for this family’s graveyard, which should have been just up the road from both Delilah’s brother Adam Artis’ grave and the larger Exum cemetery containing the remains of Simon’s parents, John and Sophronia Exum. Later, using GPS coordinates, I found it in the backyard, more or less, of a house whose occupants erected a six-foot fence to block the view. I returned yesterday and, across a plowed-under field, immediately spotted several stones, including:

Delilah Williams Exum (1851-1939), and

Simon Exum (1842-1915).

Other kin buried in this cemetery: grandson John Brogdus Artis (1903-1979), son of Ora Exum Artis; Emma E. Exum (1884-1978), wife of son Simon Exum Jr.; Estelle Exum (1910-1988), daughter of son Simon Jr.; Simon Exum Jr. (1884-1963); and daughter Alice Finlayson (1875-1961).

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P.S. After posting this, I found this obituary in the 10 July 2009 edition of the Goldsboro News-Argus:

WASHINGTON D.C. — Simon Devon Exum, 59, formerly of Wayne County, died Tuesday at Washington Center Hospital.

His life will be celebrated Saturday at 11 a.m. at St. James Christian Church in Fremont, with minister James Earl Bunch officiating. His mortal remains will be laid to rest in the historic John C. Exum I Cemetery in Eureka.

Warm memories are cherished by his siblings, Larry Exum and Timothy Exum of Upper Marlboro, Md., Ray Exum and Brenda Mills of Goldsboro, Diane Exum of Chicago, Carol Packer of Eureka, Sherla Exum of Fremont and Gloria Exum of Wilson.

He will lie in state Saturday from 10:15 a.m. until the funeral hour at the church.

The family will receive friends at the home place, 3073 NC 222 East in Stantonsburg, where they will also assemble in preparation for the funeral procession.

John C. Exum was Simon Exum Sr.’s father. John and “Fraunie” Exum’s gravestones note that they were born free, but I’ve found no evidence of either pre-Civil War. 3073 NC 222 East is directly across the street from the house in front of the Simon Exum cemetery (which is probably now closed to burials,) and Simon Devon Exum was a son of M.R. Cornell Exum, son of Simon Exum Jr. 3073 caught my attention as I pulled my car off the road; it has recently been reduced to a pile of rubble.

Births Deaths Marriages, Maternal Kin, Photographs, Virginia