Births Deaths Marriages, Free People of Color, North Carolina, Other Documents, Paternal Kin

Collateral kin: Celia Artis and family.

As noted previously, there is no known relationship between Celia Artis and my great-great-great-grandfather Adam T. Artis, though it is likely that most free colored Artises shared a common ancestor in the misty mists of time. Like, the late 17th century. Celia’s family and Adam’s family were among several sets of Artises living in northeastern Wayne County in the antebellum era, and they intermarried and otherwise interacted regularly. Here’s what I know of Celia Artis and her descendants.

Celia Artis was born just before 1800, presumably in Wayne County. Nothing is known of her parentage or early life. She married an enslaved man named Simon and gave birth to at least six children. In 1823, she gave complete control over her oldest children to two white neighbors, brothers (or father and son) Elias and Jesse Coleman, in a dangerously worded deed that exceeded the scope of typical apprenticeship indentures: This indenture this 16th day of August 1823 between Celia Artis of the County of Wayne and state of North Carolina of the one part, and Elias and Jesse Coleman of the other part (witnesseth) that I the said Celia Artis have for an in consideration of having four of my children raised in a becoming [illegible], by these presence indenture the said four children (to viz) Eliza, Ceatha, Zilpha, and Simon Artis to the said Elias and Jesse Coleman to be their own right and property until the said four children arives at the age of twenty one years old and I do by virtue of these presents give and grant all my right and power over said children the above term of time, unto the said Elias and Jesse Coleman their heirs and assigns, until the above-named children arives to the aforementioned etc., and I do further give unto the said Elias and Jesse Coleman all power of recovering from any person or persons all my right to said children — the [illegible] of time whatsoever in whereof I the said Celia Artis have hereunto set my hand and seal the day and year above written, Celia X Artis.

Despite the “own right and property” language, Celia did not sell her children exactly, but what drove her to this extreme measure? Because she was not legally married, her children were subject to involuntary apprenticeship until age 21. This deed records her determination to guard her children from uncertain fates by placing them under the control of men she trusted, rather than those selected by the court.

Despite the deed’s verbiage, it is likely that the children continued to live with their mother during their indenture. Certainly, Celia, unlike many independent women of the era, had the wherewithal to care for them, as evidenced by her purchase of 10 acres from Spias Ward in 1833. Wayne County deeds further show purchases of 124 acres and 24 acres from W[illiam] Thompson in 1850 and 1855.

By 1840, Celia Artis was head of a household of eight free people of color in Black Creek district, Wayne County — one woman aged 36-54; three girls aged 10-23 [Eliza, Leatha, Zilpha]; one girl under 10 [unknown]; two boys aged 10-23 [Calvin and Simon]; and one boy under 10 [Thomas].

In the 1850 census, she was enumerated on the North Side of the Neuse, Wayne County, as a 50 year-old with children Eliza, 34, Zilpha, 28, Thomas, 15, and Calvin, 20, plus 6 year-old Lumiser, who was probably Eliza’s daughter. Celia is credited with owning $600 of real property (deeds for much of which went unrecorded), and the agricultural schedule for that year details her wealth:

Celia Artis. 50 improved acres, 700 unimproved acres, value $600. Implements valued at $25. 2 horses. 1 ass or mule. 1 ox. 21 other cattle. 40 sheep. 500 swine. 500 bushels of Indian corn. 100 lbs. of rice. 2 lbs. of tobacco. 100 lbs. of wool. 100 bushels of peas and beans. 200 bushels of sweet potatoes.

She also appears in the 1850 Wayne County slave schedule, which records her (and another free woman of color Rhoda Reed’s) ownership of their husbands:

In 1860, in a surprise move, the census taker listed Simon Pig Artis, Celia’s husband, as the head of household. If he’d been freed formally, there’s no record of it. (Simon Pig’s nickname is explained here.) He is also listed as the 70 year-old owner of $800 of real property and $430 of personal property — all undoubtedly purchased by Celia. Their household included son Thomas, daughter Zilpha, and granddaughters Lumizah, 17, and Penninah, 11. On one side of the family: the widower Adam T. Artis, his three children, his sister and her child; on the other: Celia and Simon’s son Calvin, his wife Serena [maiden name Seaberry, and a cousin of Adam’s next wife Frances Seaberry], and their four children. Other neighbors included Lemuel Edmundson.

The 1863 Confederate field map below indicates “C. Artis” near Watery Branch and “L. Edmundson.” (The stars mark the creek and the towns of Stantonsburg and “Martinsville,” now Eureka.) The family’s cemetery remains on that land, as marked in the second map. (Watery Branch is perhaps a mile south along Watery Branch Road. And Diggs Chapel, presumably, is connected to the family. See Eliza Artis, below. The road visible below Celia’s name on the 1863 map was probably the precursor of Watery Branch Church Road.)

During the Civil War, both Celia Artis and her son Calvin were assessed taxes by the Confederate state government in the form of tithed crops. In December 1863, Celia had to hand over a tenth of her 2500 pounds of cured fodder to support the war effort.

Neither Celia nor Simon appears in the 1870 census. It seems likely that Celia was alive for at least a few more years, however, as her estate was not opened until 1879. It was surprisingly small, suggesting that she had distributed most her land and valuables (or otherwise lost them) before her death. Son Thomas is listed as the sole heir to her $200 estate. I don’t know what became of Simon Pig.

Here’s what I know of Celia Artis’ children:

Eliza Artis was born circa 1816. She never married but had at least three daughters, Loumiza, Frances and Penina Artis. Descendants assert that the father of some or all of them was James Yelverton, a white farmer who lived nearby. Loumiza is known only from the 1850 and 1860 censuses. Frances was born about 1845. She never married but had at least two children, Sula and Margaret, allegedly by Wilson (or William) Diggs, whom she married in Wayne County on 15 October 1868. (Margaret’s daughters Etta and Minnie Diggs married William M. Artis and Leslie Artis, respectively, a son and grandson of Adam T. Artis. Sula’s daughter Lizzie Olivia married Leslie Artis’ brother Odell.) Penina, born about 1849, married James Newsome. Eliza’s will was filed in Wayne County:

In the Name of God Amen: I Eliza Artis of the County of Wayne and State of North Carolina being of sound mind and memory and considering the uncertainty of human life do therefore make Publish and declare this to be my last Will and testament: That is to say first after all my burial expenses are paid and discharged the residue of my estate. I give and bequeath and dispose of as follows to wit to John Newsom son of James Newsom and Penina Newsom Four Dollars to Francis Diggs all the balance of my personal and real estate that I may be in Possession of at my death during her Natural life and after the death of said Francis Diggs all of said Personal and real estate is to be equally divided between Francis Diggs’s three children Sula Artis Margrett Diggs and William Diggs Likewise I make constitute and appoint Noble Exum and George Exum to be my Executors to this my last Will and testament hereby revoking all former wills made by me In witness whereof I have hereunto subscribed my name and affixed my seal this the eleventh day of February in the year of our lord one Thousand eight hundred and Ninety Eliza X Artice {seal} In the presence of Witnesses John H. Skinner, R.H. X Locus Hand-written notation in margin: “See Book No 32 Page 320 Register of Deeds Office” [Wayne County Will Book 1, page 524]

——

Letha Ann Artis (the “Ceatha” above) was born about 1820 and married John Artis. They lived in the Eureka area of Wayne County and their children included Sarah Artis, Zachary/Zachariah Artis, James Artis, Mildly Artis Baker (whose grandson Richard V. Baker married Lillie Odessa Artis, daughter of Henry J.B. Artis and granddaughter of Adam T. Artis), William Thomas Artis, Elizabeth Artis Brantham, and Jackson Artis. Letha Ann died circa 1896.

I Lethy Ann Artice of Nahunta Township, State of North Carolina being of sound mind and memory, do declare this to be my last will and testament. I give and bequeath to my son James Artice Five acres of land known as my fathers place to have to hold through his natural life, after his death to Maggie Artis his daughter. But should she want to live on said land before his death, I give her a right, so to do. I give and bequeath to Luby Baker and Anna Baker the children of Mildly Baker Four acres provided Mildly Baker shall be guardian for said children until they reach their majority. I give and bequeath to Bettie Bradford and Brantham Five acres land to have and to hold their natural life afterwards to their heirs. I give and bequeath to Zachary Artice Five acres land. I give and bequeath to John and Octavius the sons of Thomas Artis my son Four acres land if they should want to sell each other all right but no one else. I give and bequeath to Zachary his fathers chest. All heirs to pay Zachary Artice for burial expenses Sarah & Jackson, before coming in possession of the property I give. I also give to Zachary the big pot, I also give him his house, no matter on whose land it falls on. Be it understood I have already given Zachary ½ acre during my life time. I also gave Thomas Two Dollars and a Bull. I also give Baker a cow and calf, Betsey two Dollars I say this to show what I have given. Betsey and Mildly I give one bed a piece, my large bed to be divided between Tom & Zachary. I also give Maggie Artice James daughter, Sarahs chest. I also give the [illegible] and gear to Scintha Ann Artice. All the heirs, with Scintha Ann take my wearing clothes also House furniture also. But should Zachary want any particular thing, as he been my protector let him have it I appoint I.F. Ormond Executor of this will. In witness whereof I Letha Ann Artice have herewith set my hand and seal This 9^th day of Oct 1892 Letha Ann X Artice Subscribed by the testator in the presence of each of us and declared by her to be the last will testament Witnesses J.H. Skinner, Noble Exum [Wayne County Will Book 2, page 184; proved 2 January 1897, Superior Court, Wayne County]

——

Zilpha Artis was born in the 1820s. She never married and had no known children. She died in 1882, leaving this will:

Know all men by these presents that I Zilpha Artis of the County of Wayne and State of North Carolina being of sound mind and memory but considering the uncertainty of life do make and declare this my last will and testament in manner and form following that is to say. That my Executor Philip Fort shall provide for my body a decent burial according to the wishes of my relatives and friend and pay all funeral expenses together with my just debts to whomsoever due out of the money that may first come into his as a part or parcel of my estate. I give and devise to my niece Francis Diggs all of my entire lands and all my household and Kitchen furniture to have and to hold to her the said Francis Diggs for and during the time of her natural life and after her death to be equally divided between her two children Sula Artis and Margaret Diggs their heirs and assigns forever I give and bequeath to my Sister Eliza Artis the sum of fifty cents I give and bequeath to my Sister Leatha Artis the sum of fifty cents I give and bequeath to Brother Calvin Artis the sum of fifty cents And I give and bequeath to my brother Thomas Artis the sum of fifty cents And lastly I do hereby appoint and constitute Phillip Fort my lawful executor to all intents and purposes to execute this my last will and testament according to the true intent and meaning of the same and every part and clause therein hereby revoking and declaring utterly void all other wills and testaments by me heretofore made. In testimony whereof I the said Zilpha Artis do hereunto set my hand and seal this 19^th day of November A.D. 1881 Zilpha X Artis {seal} Signed and sealed in the presence of B.J. Person, John B. Person [Wayne County Will Book 1, page 245; proved 20 September 1882, Probate Court, Wayne County]

——

Simon Artis. I’ve found no record of Simon after his 1823 indenture to the Colemans.

——

Calvin Artis, known as Calv Pig, was born about 1830. In 1853, he married Serena Seaberry, daughter of Theophilus and Rachel Smith Seaberry and a cousin of Adam Artis’ wife (and my great-great-great-grandmother) Frances Seaberry Artis. Their children were Martha Artis Locus, Polly Artis, James Madison Artis (who married Adam T. Artis’ oldest daughter Caroline Coley), Henry T. Artis, Nettie Artis Exum, Ellen Artis, Talitha Artis, Simon Artis, and Jeffersonia Artis. Calvin seems to have died between 1880 and 1900.

——

Thomas Artis, known as Tom Pig, was born 1835. His first wife, whom he married in 1868, was Loumiza Artis, also known as Loumiza Williams, daughter of Vicey Artis and Solomon Williams. Their children were Magnolia Artis Reid, Maloy (or Lawyer) P. Artis, Larry R. Artis and Solomon Artis. Loumiza died in 1879, and Thomas married Bettie Barnes, daughter of Ben and Harriet Barnes, on 17 May 1893 in Wilson County. Shortly before his death in 1909, Tom Artis was embroiled in a lawsuit over the ownership of a small farm near Eureka. Excerpts from the testimony in that trial have been serialized in this blog, and the trial transcript makes up the bulk of Thomas’ estate file.

——

Federal population, agricultural and slave schedules;Confederate Papers Relating to Citizens or Business Firms, 1861-1865, National Archives and Record Administration; Deeds, Register of Deeds Office, Wayne County Courthouse, Goldsboro; Will Books, Office of Clerk of Superior Court, Wayne County Courthouse, Goldsboro.

Births Deaths Marriages, Maternal Kin, North Carolina, Photographs

Remembering Aunt Mamie.

Remembering my grandmother’s beloved sister, Mamie Henderson Holt, on what would have been her 108th birthday.

Births Deaths Marriages, Newspaper Articles, Paternal Kin, Photographs

In memoriam: Louise Daniel Hutchinson.

Louise Daniel Hutchinson, scholar of black history, dies at 86

By Emily Langer, The Washington Post, 26 October 2014.

WASHINGTON — Louise Daniel Hutchinson, who gathered, documented and preserved African-American history during 13 years as director of research at the Smithsonian Institution’s Anacostia Community Museum in Southeast Washington, died Oct. 12 at her home in Washington. She was 86.

The cause was vascular dementia, said a daughter, Donna Marshall.

Mrs. Hutchinson spent much of her adult life working to collect and share with others the richness of African-American history in Washington and beyond. In 1974, after years of community activism, she joined the Anacostia Neighborhood Museum, as it was then known. She retired in 1987.

Under the leadership of founding director John Kinard, she oversaw exhibits covering years of history in the Anacostia community, the movement of blacks from Africa to overseas colonies, and the life and accomplishments of Frederick Douglass, the former slave, abolitionist and distinguished writer.

She took particular interest in documenting the lives of African-American women such as Anna Cooper, who was born into slavery and became a noted educator and equal rights advocate. “Even black history hasn’t given black women their proper place,” Hutchinson once told the New York Times.

Gail Lowe, the Anacostia Community Museum’s senior historian, credited Mrs. Hutchinson with elevating the work of the research department and using individual life stories to illuminate broader history. “In telling the local stories,” Lowe said in an interview, “she validated community experiences.” Mrs. Hutchinson was “a stickler for accuracy and authenticity,” Lowe said, and insisted researchers keep magnifying glasses on hand for the close inspection of old photographs. Hutchinson, Lowe recalled, spotted Harriet Tubman and W.E.B. Du Bois in previously unidentified images.

“Because of the level and depth of her work,” Lowe said, “she was able to … provide accurate, documented information that other researchers and scholars relied on.”

Louise Hazel Daniel, one of nine children, was born June 3, 1928, in Ridge, Maryland, and raised in the Shaw neighborhood of Washington. Her parents, Victor Hugo Daniel and Constance E.H. Daniel, were teachers and friends of the African-American intellectuals and educators George Washington Carver and Mary McLeod Bethune.

After graduating in 1946 from the old Armstrong Technical High School in Washington, Mrs. Hutchinson attended colleges including Howard University and did secretarial work before beginning her career in historical preservation. In the 1970s, she assisted curators at the Smithsonian’s National Portrait Gallery with the selection of paintings featuring prominent African-Americans, her daughter said.

Mrs. Hutchinson’s writings included the books “The Anacostia Story, 1608-1930″ in 1977, “Out of Africa: From West African Kingdoms to Colonization” in 1979 and “Anna J. Cooper: A Voice from the South” in 1981.

Mrs. Hutchinson’s daughter Laura Hutchinson died in infancy, and her son Mark Hutchinson died in 1974, at age 8, of a brain tumor.

Survivors include her husband of 64 years, Ellsworth Hutchinson Jr. of Washington; five children, Ronald Hutchinson of Fort Washington, Maryland, David Hutchinson of Clifton Park, New York, Donna Marshall of Laurel, Maryland, Dana McCoy of Washington and Victoria Boston of Clinton, Maryland; two brothers, John Daniel of Washington and Robert Daniel of Atlanta; a sister, C. Dorothea Lawson of Bay City, Texas; five grandchildren; and two great-grandchildren.

In addition to her museum work, Mrs. Hutchinson participated in such initiatives as the development of D.C. public school curriculum in the 1980s, which incorporated the roles of black leaders in local events.

“I have real concerns about accuracy of history,” she told The Washington Post. “I believe it must reflect [the] participation of all.”

——

I met my Dudley cousins in the fall of 1985, just in time to be invited to the first (and last, as it were) Henderson-Aldridge Reunion in July 1986. That weekend turned out to have been a fortuitous window of time, in which I was privileged to meet so many elders not long for this world. Had I been more conscientious and intentional, I could have learned so much more than I did, but that’s a genealogist’s perennial regret. So many kin I saw only that one time — Johnnie “Dink” Henderson, Freeman Aldridge Sr., H.B. Wynn, Evelyn Williams McKissick, Virginia Aldridge Oldham. With others, however, I built relationships that lasted years.

Last night, I found Louise Daniel Hutchinson’s obituary. Her husband Ellsworth Hutchinson Jr., my cousin, sent me a copy of her work on Anna Julia Cooper shortly after the 1986 reunion. It was my introduction to the incredible Cooper, though she is from my home state. It was also an introduction to the wonderful work that Cousin Louise did as a researcher and historian. As we traded information about our Aldridge links — Cousin Ellsworth’s grandfather Zebedee Aldridge was my great-grandfather Thomas Aldridge‘s brother — she challenged me to take seriously and document diligently the stories of everyday families. In 2001, I spent a few days with her and Ellsworth at their home in Anacostia, poring over and copying family photos and lapping up her wisdom and knowledge of D.C.’s African-American history. We had lost contact as her health declined, but I have always treasured her warmth and encouragement and hope that in some small way, Scuffalong:Genealogy honors her memory.

Louise Daniel Hutchinson holding a photo of her parents. Courtesy of The Washington Post.

Education, Other Documents, Paternal Kin

Bison.

I’ve been striking gold with the Randalls. A number of Howard University’s yearbooks have been digitized, and searches of random years yielded these Randall collegians, as well as a cousin descended through their grandmother Fannie‘s brother Matthew:

Arnetta L. Randall, Class of 1925.

Arnetta was the second daughter and seventh child of George and Fannie Aldridge Randall. (Oscar and Fred Randall were among her brothers.) A teacher and lifelong resident of the District, she never married.

——

Mable Margaret Williams, Class of 1933.

Irvin LeFetus McCaine, Class of 1934.

Irvin L. McCaine married Mable Margaret Williams, daughter of Clarence J. and Daisy B. Aldridge Williams of Goldsboro and later Asheville, North Carolina. Mable’s maternal grandparents were Matthew W. and Fannie Kennedy Aldridge. Here’s Cousin Irvin in high school (Class of 1929), courtesy of an Oakland High School memorial website:

——

Frederick Russell Randall, Class of 1942.

Son of Fred R. and Lucille Stewart Randall, Frederick Randall also attended medical school at Howard and briefly practiced at the hospital there before moving to New York City. (Ada Randall Reeves was his sister.)

The Crisis, December 1962.

Ten or 15 years ago, I received an email message from a professional genealogist in New York who had been hired to research Dr. Frederick Randall’s family. Through her I learned what had become of my great-great-grandfather’s youngest sister Frances Aldridge Locust — Cousin Frederick’s grandmother — whom I’d lost track of after her marriage. She and her husband had changed their surname to Randall, it turns out, and moved to Washington DC. The genealogist and I exchanged information over the course of several emails and letters, and I spoke with Cousin Frederick by phone — among other things, about his interaction with his cousin, and my great-grandfather J. Thomas Aldridge — but I never got the opportunity to meet him. I Googled his name tonight and found this:

RANDALL–Frederick R., MD. 91. Former Surgeon and Professor of Surgery at Columbia-Presbyterian Medical Center. He had compassion for his patients; and wisdom for his students. A devoted husband and loving father, he leaves Elizabeth [W. Glover], his wife of over 68 years and his sons, Derek and John. A bereaved family is consoled by cherished memories. What be it worth the life of a man, but that which he himself has given to it? This strong man gave much. Published in The New York Times on Apr. 6, 2014.

Land, North Carolina, Other Documents, Paternal Kin

Cousins and covenants.

“In November of 1945, Ada Reeves bought a charming little bungalow at 1303 Kearny St. NE in Brookland. She expected to move in without any problems, but instead was sued by her neighbors. The cause? The color of her skin. Ada Reeves was African American, and her new home’s deed contained a covenant that said the house was not to be sold to a black person.”

While running a Google search for Fred R. Randall, I happened upon a blog dedicated to the history of Brookland, a neighborhood in northeast Washington DC. A December post on racially restrictive covenants opened with the sentences above. Further down: “As for the case of Ada Reeves: her father, Fred Randall, contacted Charles Hamilton Houston in 1945 to look into the case,” and copies of a letter from Randal to Houston. Charles Hamilton Houston, called “The Man Who Killed Jim Crow” was an early African-American civil rights lawyer and mentor to Thurgood Marshall. And Fred Randall is Cousin Fred.

Many thanks to Bygone Brookland, and for the full post, see here.

Other Documents, Paternal Kin, Photographs

Basketball victors.

Many thanks to Dena Banks for pointing out this post in Vieilles Annonces’ Flickr feed. It’s from the March 1912 issue of the NAACP’s The Crisis. (The first 25 years of which I have on CD; I need to study this thing more carefully.) Fred Randall was the 17 year-old son of George and Fannie Aldridge Randall, who migrated from Wayne County to Washington DC in the late 1890s. (Fannie Aldridge Randall, formerly known as Frances Aldridge Locust, was the sister of my great-great-grandfather John W. Aldridge.) Randall’s interest in athletics did not end in high school. As just posted here, he went on to become director of the city’s Cardozo Playground.

Agriculture, Enslaved People, Land, North Carolina, Paternal Kin

Kinchen’s Kinchen’s Kinchen’s Kinchen ….

“I found your blog posts on line,” he said. “If you don’t mind, I’d like to talk to you some more about them. Kinchen Taylor was my ancestor.”

It took a little while, but we finally caught up as I sat waiting for a flight to Philadelphia. I’ll call him “Cal.” He goes by a different nickname, but he bears — with pride, but some chagrin — the same name as his forebear. It’s been passed down generation after generation after generation and, in spite of himself, he passed it on, too.

Cal grew up within shouting distance of the Kinchen C. Taylor house that I wrote about, and his father and uncle are among the last of Kinchen Taylor’s descendants holding property passed down from him. He’s a few years younger than I am, and he thinks Kinchen Senior’s house was already in shambles during his childhood. He was aware that Kinchen had accumulated vast tracts of farm and woodland in northern Nash County, but dismayed that he had owned so many slaves. That he had owned any at all, really. Without them, of course, his great-great-great-grandfather’s thousands of acres would have been a wilderness of swamp and impenetrable forest. Cal also wondered if we were perhaps related, but I have no reason to believe that we are.

Many thanks to “Cal” for reaching out and for sharing his connection to Taylor Crossroads.

Uncategorized

Adam.

I count these Adam Artises:

Adam Toussaint Artis (1831-1919), the original. My great-great-great-grandfather.

Adam Toussaint Artis Jr. (1868-??), his son.

Adam Toussaint Artis III (1911-2000), son of Adam T. Artis’ son Walter S. Artis.

Adam Artis (1913-??), son of Adam Artis’ son Robert E. Artis. This Adam may have had a son, Adam Artis Jr.

Adam Huldah Artis (1920-1963), son of Adam Artis’ son William M. Artis.

Adam Freeman Artis (1943), grandson of Adam Artis’ son June Scott Artis.

Adam Scott Artis (1986), great-grandson of June S. Artis.

And, too:

John Adam Wilson (1868-1916), son of Adam Artis’ sister Zilpha Artis Wilson.

Adam Wilson (1923-??), son of Adam Artis’ nephew Willie Wilson.

Business

Where we worked: good government jobs.

Henry E. Hagans, Washington DC – secretary to U.S. Congressman George H. White, circa 1898.

William S. Hagans, Washington DC – secretary to Congressman White, circa 1899-1900.

J. Frank Baker, Dudley NC – husband of Mary Ann Aldridge Baker; postmaster, circa 1896.

Mary Ann Aldridge Baker, Dudley NC – postmaster (assumed husband’s position after his murder), 1897-1911.

Caswell C. Henderson, New York NY – laborer, clerk, courier, U.S. Customs House, 1900s-1926.

Fred Randall, Washington DC – director, Cardoza Playground, DC Government, circa 1917; clerk, post office, circa 1930; special mail clerk, circa 1940.

Hardy Randall, Washington DC – postal employee, circa 1917.

Toney C. Brewington, Norfolk VA – carrier, post office, 1936.

Jesse P. Breedlove, Washington DC – husband of Edna Randall Breedlove; manager, War Department, circa 1940.

Oscar Randall, Washington DC – skilled helper, US Government Bureau of Engraving & Printing, circa 1917; Chicago IL – civil engineer, Chicago Sanitary District, 1930s.

North Carolina, Oral History, Paternal Kin

Friend or family?

I used to go down there [to Mount Olive] and stay with her and Cousin Jesse. And Cousin Cousin Annie Cox and Uncle Hardy was living at that time, and I used to go down there. I stayed with her when Cousin Jesse, her husband, come up to bring tobacco to sell.

…

I don’t think neither one of ‘em ever went North. Cousin Annie and Cousin Hardy Cox. At least her husband [Hardy], his legs was twisted. They used to come to Wilson. When he walked, each of ‘em would go ‘round at the same time. They pushed up some kind of way. Worse than Bobby [Henderson, a cousin who’d had childhood polio.] And I asked Mama, I said, “What is wrong with him?,” and she said, “I don’t know.” I guess he was doing right good. He could walk on ‘em. I didn’t see him with no stick. But he just real – one would go one way and then the other one’d go the other way. I didn’t want him to see me watching him, so I didn’t never ask him nothing about it. ‘Cause he was [inaudible] down there to Uncle Lucian [Henderson]’s house.

Who were Hardy and Annie Carter Cox to my grandmother? Were either of them her blood relatives? I’ve talked about Annie Carter Cox’s family here. Hardy Cox was born about 1851, probably in Sampson County, to Henry Cox and Easter Bennett (or perhaps Beaman.) The family is not found in the 1860 census and was likely enslaved until Emancipation. In 1870, however, they were listed in Westbrook township, Sampson County: Henry Cox, 51; wife Esther, 37; children Hardy, 20; Martha, 18; Mariah, 14; Adaline, 12; George, 9; Isaac, 5; and Ida, 8 months; plus Phillis Bennet, 53. [Sidenote: my great-great-great-grandparents Lewis and Margaret Balkcum Henderson were also in Westbrook in 1860.] Ten years later, Hardy Cox, 30, and wife Martha, 28, were living a few miles north and are enumerated in Brogden township, Wayne County. [Again, as were the Hendersons.] Their little household was sandwiched between that of Green and Betsy Jane Thornton Simmons and his Bryan and Betsy Wynn Simmons. [North Carolina Marriage Indices show Hardy marrying Betsy J. Simmons on 16 January 1873 in Wayne County. Who is this? Neither Green nor Bryant had daughters by that name of an age to marry in 1873.] I have not found Hardy and Martha’s marriage license. [Is this actually Betsy J., misnamed?] However, in early 1884, Hardy married 20 year-old Virginia Ann “Annie” Carter.

A few items in this license stand out. First, here’s another example of the lackadaisical data entry that undercuts the reliability of so many of these records. Annie certainly knew her parents’ names, though both may have been deceased when she married. More interestingly, the witnesses: Hillary Simmons (at whose home the wedding took place), “Lucious” Henderson and Bryant Simmons Jr. Hillary Simmons was a son of George W. and Axey Jane Manuel Simmons and a nephew of Green and Bryant Simmons above. Bryant Junior was either Bryant’s son, born in 1866, or Hillary’s brother Bryant C. Simmons, born 1851. Lucious, of course, was Lucian Henderson, whose sister Ann Elizabeth Henderson had married Hillary Simmons five years previously.

No smoking guns then, just an intricate interweaving of several families via marriage and proximity. The marriage of Annie Carter Cox’s brother Marshall Carter to M. Frances Jacobs (whose brother Jesse Jacobs married Lucian and Ann Elizabeth’s sister Sarah Henderson in 1896) was another binding tie between Hardy and Annie and my grandmother’s people. There were others, too, but later and less likely to have drawn Hardy and Annie close enough to my grandmother to be called “Cousin.” For example, in 1907, Ira Cox, son of Hardy’s sister Mariah Cox, married Louvenia Jacobs, daughter of Jesse and Frances Jacobs’ brother John R. Jacobs. And in 1915, Marshall and Frances Jacobs Carter’s son Milford E. Carter married Beulah Aldridge, my grandmother’s paternal aunt.)

Scuffalong: Genealogy.

Author Archives: Lisa Y. Henderson