Free People of Color, Land, North Carolina, Other Documents, Paternal Kin

100 acres on Watery Branch.

Fourteen years into their marriage, Adam and Frances Seaberry Artis purchased three tracts of land totaling about 109 acres from her half-brother, Napoleon Hagans. All three are on or near Watery Branch, an east-flowing tributary of Contentnea Creek. The first two documents are a mortgage deed and deed of sale for two tracts on the creek. The third is a deed of sale for an additional nine acres nearby. Notably, this last is land upon which Adam had lived in prior years, as it contained the graves of his first wife, Lucinda Jones Artis, and a child.

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North Carolina, Wayne County } This indenture made this the 25^th day of July AD 1874, between Adam T. Artis and wife Frances of the first part, and Napoleon Hagans of the second part, and all of the County and State above written, Witnesseth that the said parties of the first part for and in consideration of the sum of one dollar in hand paid by the said party of the second part, have bargained and sold and by these presents do convey unto the said party of the second part, and his heirs two tracts or parcels situated in the County of Wayne, and bounded as follows: viz: the first tract begins at a pine on the New Road in Willie Moorings line and runs with his line North 136 poles to a stake on the main run of Watery Branch, then up and with the various courses of the branch to the mouth of a small branch, then up the various courses of said branch to a stake, then E 20 poles to said new road, then with the same to the beginning, containing Eighty eight acres, more or less: the other tract begins at a stake in Cullen West’s line, and runs South 28 ¼ poles to a stake in said line Charity Bailey’s corner, then with his line West 67 ¼ poles to a stake Wm Bailey’s corner, then with his line West, 67 ¼ poles to the beginning, containing twelve and one fourths acres more or less _

And the said parties of the first part do for themselves and their heirs forever warrant and defend title to the above land, to the said party of the second part his heirs and assigns

The condition of the above deed is such whereas the above named Adam T. Artis is indebted to the said Napoleon Hagins in the amount of Fifteen hundred dollars, purchase money for the land herein conveyed, and for which said sum the said Artis has given promissory notes for $375.00 each, and payable in the manner following viz: the first note will be due on the 1^st day of January AD 1876: at the same day and date the interest on the whole amount of the purchase money ($1500.00) from Jany 1^st 1875 to that date will be paid annually on the first day of January. The amount of principal paid thereon to be deducted; the second note will be due on January 1^st 1877, the third on January 1^st 1878; and the fourth on Jany 1^st 1879, and all are subject to the conditions set forth as to the first note above mentioned.

Now if the said Artis shall pay the interest as above set forth as they come due according to their tenor, then this deed to be void otherwise to be of full force and effect.

And upon the failure of said Artis to pay said noted and interest as above set forth as they severally fall due, then it shall be in the power of said Hagins to sell the land herein described after twenty days advertisement at the Court House door in Goldsboro and four other places in Wayne County, and after deducting the whole amount due him & the expenses of sale shall pay the balance if any to the said Artis or his legal representatives.

In testimony whereof the said parties of the first part have hereunto set their hands and seals the day and date first above written.

Witness: /s/ W.T. Faircloth Adam X Artis, Frances X Artis

[Wife’s consent omitted.]

Deed Book 37, page 72, Wayne County Register of Deeds office.

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State of N. Carolina, Wayne County } This indenture made this the 25^th day of July in the year of Our Lord One thousand Eight hundred and Seventy four, between Napoleon Hagins and wife Absey Hagins of the first part and Adam T. Artis of the second part, all of the County and State aforesaid Witnesseth: that we said Hagins and wife parties of the first part for and in consideration of the sum of Fifteen hundred Dollars to us in hand paid by said Adam T. Artis the receipt and payment whereof we said parties of the first part do by these presents hereby acknowledge ourselves fully satisfied content and paid before the ensealing signing and delivery of the same have bargained sold delivered given up conveyed unto said Artis his heirs and assigns two certain pieces or parcels of land lying in said County of Wayne on the South side of Watery Branch, the first tract adjoining the lands of Wiley Moring Charity Bailey and others, bounded as follows: Beginning at a pine on the New Road in Willie Moring’s line and runs with said line N. 136 poles to a stake on the main run of Watery Branch, then up the various courses of the run as it meanders to the mouth of a small branch, then up the run of said small branch its various courses to a stake, then East 20 poles to said New Road, then with the same to the beginning, containing Eighty eight acres, more or less:

Also one other tract purchased from Wm. Bailey and wife Celia, adjoining the lands of Charity Bailey Wm. Bailey Cullen West and others bounded as follows: Beginning at a stake in Cullen West’s line and runs South 28 ¼ poles to a stake in said line Charity Bailey’s corner, then with her line West 69 ½ poles to a stake in said West’s other line, then with said line N 28 ¼ to a stake, Wm Bailey’s corner then with his line W 69 ½ poles to the beginning, containing 12 ¼ acres more or less _

And we said Hagans and wife Absey parties of the first part do by these presents bind ourselves our heirs executors admrs & assigns forever free claims or encumbrances whatsoever

In testimony whereof we the said Hagins and wife have hereunto set our hands and affixed our seals, the day and date first mentioned.

Witness: /s/ W.T. Faircloth Napoleon X Hagans, Absey X Hagans

[Wife’s consent omitted.]

Deed Book 37, page 74, Wayne County Register of Deeds office.

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North Carolina, Wayne County }

This Deed made this thirty first day of October 1874 by Adam Artis and his wife Frances of Wayne County, and State of North Carolina to Napoleon Hagans of Wayne County, and State of North Carolina, Witnesseth that said Adam Artis in consideration of Two hundred & seventy five /100 Dollars, to them paid by said Napoleon Hagans, the receipt of which is hereby acknowledged, have bargained and sold and by these presents do bargain, sell and convey to said Napoleon Hagans and his heirs a tract of land in Wayne County, State of N.C. , adjoining the lands Bryant Yelverton & Jesse Mincey, and others, bounded as follows: viz: — Beginning at a stake on road in Yelverton’s line and runs S. 59 E. 51 ½ poles to a light stake in Yelverton’s line then N. 61 poles to another stake on said road then S. 54 W. with said road to the beginning containing 9 ¼ acres more or less.

Reserving a graveyard on said land, now paled in in which the said Adam Artis’ first wife & one child were buried.

To have and to Hold the aforesaid tract of land and all privileges and appurtenances thereto belonging to the said Napoleon Hagans and his heirs and assigns to them only

And the said parties of the first part do for themselves and their heirs forever warrant and defend title to the above land, to the said party of the second part his heirs and assigns to their only use and behalf

And this the said Adam Artis & wife Frances, covenant that they are seized of said premises in fee and have right to convey the same in fee simple, that the same are free from all incumbrances, and that they will warrant and defend the said title to the same, against the claims of all persons whatsoever

In testimony whereof, the said Adam Artis & wife Frances have known to set their hands and seals, the day and year above written Adam X Artis, Frances X Artis

[Wife’s consent omitted.]

Deed Book 37, page 220, Wayne County Register of Deeds office.

Enslaved People, North Carolina, Paternal Kin, Photographs

Appie Ward Hagans.

I’ve talked all around Apsilla (or, perhaps, Apsaline) “Appie” Ward Hagans here and here and here. So here she is:

Appie and her twin Mittie Roena Ward were born 19 April 1849 near Stantonsburg, Wilson County, to David G.W. Ward and Sarah Ward, an enslaved woman. They likely spent their early years in and around this house. How and when Appie met her husband, Napoleon Hagans, who lived in northeast Wayne County perhaps 7 miles from the Ward plantation, is unknown. I have not located their marriage license. Appie and Napoleon had two sons, Henry Edward Hagans (1868-1926) and William Scarlett Hagans (1869-1946).

Appie left little trace in official records, appearing in two census enumerations and on a couple of deeds with her husband. She died 12 April 1895 and is buried near their home in northern Wayne County.

Photo courtesy of William E. Hagans.

Free People of Color, North Carolina, Other Documents, Paternal Kin, Photographs, Rights

Jurors and judges of election.

As tax-paying landowners, many African-American men in Wayne County, North Carolina, in the 1870s were called alongside white men to fulfill their civic duties. Here are two entries from Superior Court Minute Book 2:

Napoleon Hagans of Nahunta township was appointed a judge of elections.

My great-great-great-grandfather Lewis Henderson drew jury duty for the first week of the next term of the superior court.

Superior Court Minute Book 2, Wayne County Register of Deeds Office, Goldsboro, North Carolina.

Enslaved People, Free People of Color, Land, North Carolina, Other Documents, Paternal Kin

Confederate map tells all.

Years ago — 10? 15? — I ordered copies of two Confederate field maps from the fine folks at Wilson County Genealogical Society. (The originals are held at North Carolina State Archives.) The maps feature not only geographic markers, such as creeks and towns, but the names of landowners throughout the region. I remember intently scanning the area around modern-day Eureka, hunting for signs of my Artises and finding none. (Celia Artis is on one of the maps, but she’s not “mine.”) Disappointed, I folded them away in a box.

A couple of days ago, I stumbled across the maps while reorganizing some files. I let my eyes drift a little further afield and

SILAS BRYANT! JOHN LANE! DR. WARD!

jumped off the page.

Just like that, the locations of the farms on which Vicey Artis‘ children, including Adam, were apprenticed; Sylvania Artis‘ children were apprenticed; and Mittie Ward and Apsilla Ward Hagans were enslaved (by their father.) Not only that — with a little extrapolation from the 1860 census, I can determine approximately where my people were living during the War.

Here’s the first map (with my annotations in unfortunate grayscale, click to enlarge):

The left edge of the map is defined by the Wilmington & Weldon Railroad. (2) Nahunta, bottom left and now the town of Fremont, is exactly halfway between Wilson, seat of Wilson County, and Goldsboro, seat of Wayne County. Follow the road east out of Nahunta on what is now NC 222, and you’ll see (3) Martinsville, now Eureka. Angle southeast from Eureka on what is now Faro Road, then veer right at the fork onto what is now Lindell Road. (See “B. Mooring”? Frances Seaberry and her family are listed near his household in the 1860 census.) After crossing a north-south road, pre-Lindell takes a sharp turn north. Drag your finger straight across from the bend and you’ll touch two squared names — Silas Bryant and John Lane.

Here is Bryant’s household in the 1850 census of Greene County:

And on the next page:

As reflected on the map, Silas Bryant and John Lane lived in close proximity, and, on their land, sisters Sylvania and Vicey Artis, who owned no property. My great-great-great-grandfather Adam Artis and his sisters Charity and Jane are listed in Bryant’s household, which suggests that they served him as involuntary apprentices under North Carolina’s laws governing the labor of the children of unmarried free women of color. (Both Sylvania and Vicey were married, of course, but to enslaved men — relationships that were not recognized under the law.) The 1860 census suggests that John Lane also had apprentices, Sylvania’s younger children. Lane may also have owned their father, Guy, who adopted the surname Lane after emancipation.

[And remember this?: “On 20 Aug 1853, in Greene County NC, Silas Bryant sold Daniel Artis for $325 120 acres adjacent to the mouth of a lane at the dividing line between said Bryant and John Lane, the Bull Branch, and the mouth of Sellers Branch.” I think Daniel was Vicey and Sylvania’s brother.]

Where is this now? Just inside the Greene County line, dotted at left, Highway 58 crosses over Speights Bridge Road. The second road on the left is the same one shown on the field map and is still called Lane Road. (9) marks the approximate location of Silas Bryant’s home and (10), John Lane’s.

Due north of Lane and Bryant, across Contentnea Creek is another boxed name, Dr. Ward. This was David George Washington Ward, physician, wealthy planter, and owner of twin daughters, Mittie and Appie, whose mother was an enslaved woman named Sarah. (More about the Wards elsewhere.)

Just inside the Greene County line, a few miles southeast of Stantonsburg in Wilson County, (11) marks the approximate location of Dr. Ward’s house today. [Update: Actually, it’s the approximate location of Dr. Ward’s name on the map. His house was, and is, in Wilson County close to Stantonsburg.]

Back on pre-NC 222, about a third of the way between Martinsville/Eureka and Stantonsburg, a road leads off to the east toward Watery Branch Church. (It still does — and is called Watery Branch Road.) Barely legible is the name of one of the few free people of color marked on the map: Celia Artis. Though not related by blood, at least in any immediate way, Adam Artis and his family are listed next to her in the 1860 census, and their descendants intermarried. (And share a cemetery that lies next to the road about where the C is in Celia.) Here, then, is the approximate location of Adam Artis’ earliest farmland. He later accumulated property all along the highway.

Other landmarks on the field map: (4) Toisnot Swamp (marked Creek here), a tributary of the Contentnea that flows down from Wilson County; (5) Contentnea Creek itself; (6) Black Creek, another Wilson County tributary; (7) Aycock Swamp, another tributary, upon whose banks Adam Artis’ brother-in-law and Appie Ward’s husband Napoleon Hagans built his house; and (8) Turner Swamp.

Land, North Carolina, Other Documents, Paternal Kin

68 acres on Turner Swamp.

At first glance, the document raises eyebrows. Brothers Walter and William Artis, successful farmers in their own right, were sharecroppers for William S. Hagans, their first cousin?

A second document sheds some light:

Three days before he signed the cropper agreement, William M. Artis and his brother’s wife Hannah Forte Artis signed an agreement for the purchase of the same 68 acres. (Why Hannah and not Walter??? He was very much alive.) The land was more explicitly described as: (1) a tract on Turner Swamp, known as the Jonah Reid place, that Hagans inherited from his father Napoleon Hagans; (2) a tract, known as the Daniel Reid place, that William Hagans purchased from J.D. Reid and was once part of the lands of Washington Reid, deceased; and (3) a lot of “mud land” on Spring Branch for marl (a lime-rich mud used to condition or de-acidify soil.) The purchase price? A seemingly extravagant $5000 — $300 due at signing, $700 in a year’s time, and the remaining $4000 in two notes payable at 6% interest in 1918 and 1919. (Five thousand dollars in 1916 adjusts to about $106,000 today. That’s considerable change.) It appears then that, per the cropper agreement, during the first year of the purchase agreement the Artis brothers agreed to pay $300 worth of any crops they produced on the land to Hagans. (In addition to the $300 paid him in January?)

Napoleon Hagans built his house on a tract of land straddling Aycock Swamp, the next tributary over from Turner Swamp. (Both flow into Contentnea Creek.) Washington Reid’s mother Rhoda Reid was a well-t0-do free woman of color who owned considerable farmland in extreme northwestern Wayne County, perhaps the land that William Hagans eventually bought. The entire course of Turner Swamp runs only a few miles, the last stretch beyond Wayne’s borders into Wilson County. I am beginning to consider this area ground zero for the Reids. (Future project: a dig in the deeds.)

A little hard to see, but the arrows point out the course of Turner Swamp. The green curve just below the lowest arrow marks the rise of the waterway, and the top arrow points out its approximate mouth just below Woodbridge Road in Wilson County. (And “swamp” it is. The soil of eastern North Carolina is flat and sandy or clay-ey, and the little branches off major creeks don’t so much flow as they do stand, with the barest perceptible current. Getting to their banks often requires boots — and a stout stick to beat back the cane and catbrier.)

Free People of Color, Land, North Carolina, Paternal Kin

Intersection.

Napoleon Road is a bent elbow of a dirt lane running north west of Eureka in Wayne County. At its southern end, it debouches into Reidtown Road, so named for the free colored Reid family who lived in the area as early as the 1830s. Napoleon Road is no longer than a mile or so, and there is one house on it. Napoleon Hagans built that house.

Rural roads did not have formal names until the county implemented its 911 system perhaps 20 years ago. It is a testament to Napoleon Hagans’ stature that, nearly one hundred years after his death and three-quarters of a century after his descendants left the state, the majority landowner along what had been his road chose to memorialize him permanently.

DNA, Free People of Color, North Carolina, Paternal Kin

DNA definites, no. 11: Artis & Aldridge.

I am descended from John W. Aldridge and his wife, Louvicey Artis Aldridge, via son J. Thomas Aldridge. Louvicey Artis’ parents were Adam Artis and Frances Seaberry Artis.
K.H. is also descended from John W. Aldridge and Louvicey Artis Aldridge, via daughter Nora Aldridge Henderson. At 23andme, K.H. and I show a 4.4% match, estimated as second cousins. In fact, we are first cousins, twice removed. (Calculated on the Aldridge side. We are also Henderson cousins, but much more distantly.)
W.H. is also descended from John W. Aldridge and Louvicey Artis Aldridge, via daughter Nora Aldridge Henderson. Ancestry estimates that we are 3rd-4th cousins; 23andme estimates 2nd cousins (2.51% match). In fact, we are second cousins, once removed. (We are also distant Henderson cousins.)
E.H. is also descended from John W. Aldridge and Louvicey Artis Aldridge, via daughter Nora Aldridge Henderson. At 23andme, E.H. and I show a 1.75% match, estimated as 2nd-3rd cousins. In fact, we are second cousins, once removed. (Ditto re the Henderson relationship.)
S.D. is also descended from John W. Aldridge and Louvicey Artis Aldridge, via daughter Nora Aldridge Henderson. Ancestry estimates that S.D. and I are 4th-6th cousins. In fact, we are third cousins. (Ditto re the Henderson relationship.)
G.J. is also descended from John W. Aldridge and Louvicey Artis Aldridge, via daughter Correna Aldridge Newsome. Ancestry.com estimates that we are 4th-6th cousins. (Ancestry does not provide percentage shared.) In fact, we are 3rd cousins, once removed.
B.L. is descended from Josephine Artis Sherrod, daughter of Adam Artis and Amanda Aldridge Artis. Amanda Aldridge was a sister of John W. Aldridge. B.L. and I are estimated at 2nd-3rd cousins and share 1.28% on 23andme. In fact, we are 3rd cousins, once removed, on the Aldridge side, and 2nd cousins, twice removed, on the Artis.
A.S. is also descended from Josephine Artis Sherrod. Ancestry estimates our relationship as 4th-6th cousins. In fact, we are 3rd cousins, once removed on the Artis side, and 4th cousins on the Aldridge side.
H.B. is descended from Henry J.B. Artis, son of Adam Artis and Amanda Aldridge Artis. Amanda was the sister of John W. Aldridge. Ancestry.com estimates our relationship as 4th-6th cousins. In fact, we are 2nd cousins, twice removed.
B.J. is descended from Mattie Brewington Braswell, daughter of Joshua Brewington and Amelia Aldridge Brewington. Amelia was a sister of John W. and Amanda Aldridge. B.J. and I estimated at 3rd-5th cousins and share .37%. In fact, we are 4th cousins. B.J. also matches G.J. at Ancestry, but not S.D.
R.M. is descended from Mathew W. Aldridge, who was John W. Aldridge’s brother. 23andme estimated that R.M. and I are 3rd to distant cousins and share .21%. In fact, we are 4th cousins. R.M. matches all the other Aldridge-Balkcum descendants on 23andme. She also matches D.D. at .46, 3rd-5th cousins. This is particularly interesting because the father of D.D.’s great-grandmother was said to be Jesse F. Baker, son of John Frank Baker and Mary Ann Aldridge. Mary Ann Aldridge was the daughter of John Mathew Aldridge, who I believe to have been the brother of Robert Aldridge. Assuming this to be the connection between R.M. and D.D. are, in fact, 5th cousins. (Also: D.D.’s great-grandmother and my grandmother were daughters of Bessie Lee Henderson, so she matches me, my father, sister and 1st cousin on 23andme, as well as K.H.)
H.A. is descended from Mary Jane Artis Artis, daughter of Adam and Lucinda Jones Artis. At 23andme, H.A. and I show a .15% match, estimated at 3rd to distant cousins. We are, in fact, 4th cousins. H.A. also matches K.H. and B.L.

Births Deaths Marriages, North Carolina, Paternal Kin, Photographs

Carrie Henderson Boseman Grantham.

My grandmother met none of Mama Sarah‘s sisters, but she know of them. Loudie, of course, her own grandmother. And Ann Elizabeth, mother of Minnie and Daniel and Dollie Simmons. And Carrie. Who was a little more elusive because she had no children that my grandmother knew of. She was only a name Sarah mentioned.

I managed to find a few references to her. The earliest is in the Records of the Congregational Church of Christ in Dudley, vol. II, in which Carrie Henderson appears in membership rolls for 1886 with sisters Suddie, Lutie and Sarah Henderson. (“Suddie,” or Mary Susan Henderson, was not one of the great-aunts my grandmother knew.) Next to Carrie’s name are these notations: “Bowsman” and “absent.”

“Bowsman” was “Boseman,” actually, the surname of the man Carrie married a year later. Wayne County NC marriage records show that, on 25 June 1887, George Boseman, 24, “col’d,” and Carrie Henderson, 18, col’d, applied for a marriage license. A.T. Dove, M.G. performed their ceremony on 29 June 1887, in Brogden, before Dortch Winn, Jno. Winn, and Frank Parker. (They apparently were not wed in Carrie’s church, as Dove was not pastor there.) The marriage was childless, and probably ended with George’s death.

On 21 Dec 1899, Carrie Boseman, 28, married Arch Grantham, 48, colored, in Brogden township. R.B. Johns, M.G. (of the Congregational Church) officiated and W.D. Grantham and Georgiana Winn witnessed. The family appears in the 1900 census of Grantham township, Wayne County: farmer Arch Grantham, wife Carrie (29), and (his) children [illegible], Emma, Annie, Barfield A., and Lula A. Carrie reported 0 of 0 children living.

This is where things stood until a couple of years ago, when I ran across B.B., a descendant of Archie Barfield Grantham (1851-1915) and his first wife, Mary Adeline Raynor (1855-1897). In 1906, Arch married his third wife, B.B. told me — so Carrie, still childless, died within five years or so of their wedding. It was nice to be able to round out the thread of her life in that way, but there was more. For many years, a portrait hung on his grandparents’ wall, a hand-tinted, charcoal-enhanced photograph of Archie … and Carrie.

Births Deaths Marriages, Free People of Color, North Carolina, Other Documents, Paternal Kin

Volte-face, no. 1; or 52 Ancestors: Daniel Artis.

[Though my format only infrequently focus on individuals, I’ve taken up the 52 Ancestors in 52 Weeks challenge. This is week 4, so I have some catching up to do. We’ll see.]

I had an inkling, didn’t I? Here’s what I wrote in my notes when I found Mariah Artis Swinson’s death certificate:

MARIAH SWINSON. Died 6 Feb 1955, 500 Creech Street, Goldsboro NC, arteriosclerosis. Born 14 Feb 1849 to Daniel Artis and unknown. Informant, Mrs. Mary Swinson. Buried 9 Feb 1955, Elmwood cemetery, Goldsboro NC. [Daniel Artis? Is this an error or was Mariah Silvania’s niece rather than her daughter? I conjectured that Daniel Artis was a brother of Silvania and Vicey Artis.]

Up to then, I had firmly believed that Mariah Artis Swinson, wife of Jesse Swinson, was the daughter of Guy Lane and Sylvania Artis, so I was thrown when her death certificate listed her father as Daniel. I had a Daniel Artis in my file with a question mark behind his name — was he Sylvania and Vicey Artis’ brother? He appears sparingly in records, and here’s all I knew about him:

On 20 Aug 1853, in Greene County NC, Silas Bryant sold Daniel Artis for $325 120 acres adjacent to the mouth of a lane at the dividing line between said Bryant and John Lane, the Bull Branch, and the mouth of Sellers Branch. Henry Martin witnessed. The deed was registered 7 Jun 1882. [Silas Bryant apprenticed the children of Vicey Artis, who may have been Daniel’s sister. John Lane apprenticed the children of Vicey’s sister Sylvania and probably owned her husband, Guy Lane.]

and

In the 1860 census, Bull Head, Greene County NC, 40 year-old free man of color Dannel Artis, a ditcher, is listed next door to the household of white farmer John Lane, who reported $10000 personal property and $25000 real property, included Dannel, Mike, Penney, Dyner, Juley, and Washington Artis, who were Silvania’s children.

I have not found Daniel in earlier censuses. However, a few days ago, following up a request for assistance by a descendant of a Daniel Artis from Greene County, I examined the will and probate records of a Daniel Artis who died in early 1905. The will, in black and white, stated that Mariah Swinson, wife of Jesse Swinson, was this Daniel Artis’ daughter, not Sylvania Artis’.

So, is Daniel Artis the will-maker the Daniel Artis that I believe to have been a brother of Vicey Artis Williams and Sylvania Artis Lane?

What does his will tell us?

There were two, in fact. The first, dated 15 January 1905, was recorded at the Greene County Courthouse in Will Book 1 at page 514; the second, dated two days later, at page 524. The legatees are the same, but the gifts packaged differently, so I present both:

Item 1. Page 514 — to daughter Clary Edwards, wife of Henry Edwards, his interest valued at $172 in the tract of land on which Clary and Henry live. The tract was purchased from Debro Cobb with money advanced from Henry Artis. If $172 is more than the other’s children’s share, Clary is to make them even, and vice versa. Page 524 — to daughter Clara Edwards, wife of Henry Edwards, his interest valued at $172 in the tract of land purchased from Debro Cobb. His agreement with Henry Edwards has not been recorded.

Item 2. Page 514 — to son Henry Artis, 1/4 interest in his real estate. Page 524 — to son Henry Artis, 40 acres, including the house in which Daniel then lived.

Item 3. Page 514 — to the children of his son Lodrick Artis (Anna Randolph, Frank Artis, Lula Forbes, Madison Artis, Marcellus Artis, Ernest Artis, Dicey Batts and Hannah Artis) 1/4 of his estate. Page 524 — to the children of Lodrick Artis and his wife Mandy, 40 acres (land Lodrick resided on at the time of his death) and all buildings thereon.

Item 4. Page 514 — to the children of his daughter Prior An Thompson (Isaac Sauls, C.D. Sauls, Maria Edwards and Clara Lane), 1/4 of his estate. Page 524 — to Prior An Thompson’s children and their heirs, 40 acres that Willis Thompson lives on.

Item 5. Page 514 — $50 to daughter Mariah Swinson, wife of Jesse Swinson, to be paid from the shares of the others in the amount of $12.50 each. Page 524 — A committee to be appointed to assess value of shares and make Clara Edwards’ share equal to the others, difference to be paid within seven years.

Item 6. Page 514 — none. Page 524 — Each lot to be taxed $12.50 to pay daughter Mariah Swinson, wife of Jesse Swinson.

Grandson Isaac Sauls was appointed executor in both, Daniel Artis signed each with an X, and both were proved on 21 March 1905.

Whatever his intent at clarification, things did not go well with Daniel’s estate. A Notice of Sale ran four weeks from December 1923-January 1924 in the Greene County weekly The Standard-Laconic announcing the sale of “a certain tract or parcel of land devised to Henry Artis by Daniel Artis by his last will and testament, … containing 40 acres.” The sale was advertised pursuant to a judgment in Greene County Superior Court in the matter of Frances Hall; Bennett Hall; Bessie Woodard, infant; and Alice Woodard, infant, by their next friend Amos Woodard v. J. Settle Artis and Roumania Artis. Settle Artis, who was Henry Artis’ son, had purchased the parcel at a courthouse sale the previous July. Frances and Bennett Hall were Settle’s sister and brother-in-law, and Amos Woodard was another brother-in-law, widower of Settle’s sister Dillie.

I don’t know what Hall et al. v. Artis was about, but the allegations of the next suit over Daniel’s estate — filed in 1930 — are clear. The case caption alone is daunting: Isaac Sauls; Walter Sauls; Luby Sauls; Edward Sauls; Hattie Speight and her husband Walter Speight; Mariah Thompson; Lillie May Sauls, minor, George Sauls, minor, Sarah Sauls, minor, Lillie Lee Sauls, minor, Walter Sauls, minor, appearing by their next friend, Luby Sauls; and Nettie Sauls; Henry B. Lane; Lillie Maud Best and her husband Alex Best; John H. Lane and Carrie D. Lane, a minor, children and heirs at law of Clara Thompson; Penny Edwards, Silas Edwards, Prior Edwards and the Henry Pettaway children as follows: Hadie Pettaway, minor, Willie Harrison Pettaway, Georgia May Pettaway, minor, Minnie Clyde Pettaway, minor, grandchildren of Mariah Edwards, by their next friend Henry Pettaway v. C.D. Sauls and Duffrey Edwards. In other words, a fight among the heirs of Daniel’s daughter Prior Ann Artis Sauls Thompson. The crux of the matter is set out in paragraph 10:

10. That the plaintiffs, heirs at law of Isaac Sauls, Mariah Edwards and Clara Thompson are the owners of three fifths of the land devised by Daniel Artis in Item 4 of his will to the children of his daughter Prior Ann and are entitled to have the defendant Cain D. Sauls declared to have the same held in trust for them and are entitled to an accounting of the rents and profits of the same from the date of his purchase in 1908.

Instead, they alleged, C.D. Sauls had been keeping hundreds of dollars of rent for himself and, in 1928, had sold the parcel to Duffrey Edwards for $3000, with full knowledge by Edwards that Sauls was trustee for his relatives. C.D. denied all, of course. In 1937, his daughter and son-in-law, Willie Sauls Burgess and W.D. Burgess, were added as defendants after C.D. and his wife Ada allegedly tried to fraudulently transfer the disputed property to her. In 1939, the clerk of court entered a non-suit judgment noting that the parties had reached an amicable settlement. No details were included. The matter was over.

So back to my original line of inquiry: who was this Daniel Artis?

Though he often managed to slip censustakers, the enumerator of the 1880 census found Daniel, his children Henry, Clara, Mariah, Prior Ann, and Lodrick, and their children living in a cluster in Bullhead district. (There was a marker for “Artis Town” at a spot in the road in Greene County. I think it’s in this area.) At #260, Henry Artis, 30, wife Mary, 27, and children Frances, 16, Didida, 8, Missouri, 7, Settle, 3, and Henry, 2. At #261, Henry Edwards, 40, wife Clara, 45, and children Thomas, 19, Wright, 18, Scott, 15, Eliza, 13, George, 11, Henry, 9, Daniel, 7, and William, 5. #264, Jessee Swinson, 23, wife Maria, 20, and son Charles, 1. #267, Willis Thompson, 28, wife Prior, 32, and his stepsons Isaac Sauls, 19, Cain Sauls, 18, and Richard Sauls, 15. #268, Timothy Edwards, 22, wife Maria, 21, and children Mony, 2, and Lilly, 7 months, niece Alice Wood, 15, and grandmother Maria Sauls, 60. #269, Lodrick Artis, 35, wife Amanda, 30, and children Hannah, 12, Frank, 10, Lula, 8, Sarah, 4, Monsey, 2, Lodrick, 1 month, and Marcellus, 1. #270, Daniel Artis Sr., 65, wife Eliza, 60, and granddaughter Ida, 9.

This Daniel is roughly the right age to be the one listed in the 1860 census and certainly old enough to have purchased property in 1853. [A future project: hunt for a plat or metes and bounds to compare that purchase with the land devides in 1905.] Daniel Artis and Eliza Faircloth registered their two-year cohabitation just over the county line in Wayne County. If they were, in fact, married in 1864, she was not the mother of his children, who were born circa 1835-1860. Like Eliza, though, their mother — or mothers — probably was enslaved, as were they. If Daniel was the brother of Silvania and Vicey, he followed in their footsteps by looking beyond the free colored community to find a spouse. (It is possible that the Daniel who married Eliza Faircloth was Daniel Artis, born in 1843 to Silvania Artis Lane. He and his wife Eliza appear in the 1880 census of Greene County with children Emma and James.)

It is time, I think, to adjust my files. Unlink Mariah Artis from Silvania and move her to Daniel, then enter all the new names I have for his descendants. The evidence is sparse and circumstantial, but sufficient to make a tentative determination that Daniel, Vicey and Silvania were siblings. They were born within about a ten-year span; they live in close proximity in Bull Head district, Greene County; they are the only Artises in the area (and among few in the county); they all had connections with Silas Bryant and/or John Lane; and there are some commonalities among the given names of their offspring (Silvania had a son Daniel; Silvania and Daniel had daughters named Mariah; and Vicey and Daniel had grandsons named Cain.)

Births Deaths Marriages, Free People of Color, North Carolina, Other Documents, Paternal Kin

Misinformation Monday, no. 6.

The sixth in a series of posts revealing the fallability of records, even “official” ones.

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Again, from “The Adam Artis Family History” —

Adam Artis had about five wives and 39 children. His first legal wife was Frances Hagens of Eureka. She was very fair and had beautiful long black silky hair.

Frances Hagans. By the early 20th century, that this was Frances Artis’ maiden name was accepted wisdom. When four of her children — Vicey Artis Aldridge, Napoleon Artis, William M. Artis and Walter S. Artis — died, their informants replied “Frances Hagans” when asked the name of the mother of the deceased. Researchers find these records and dutifully set down her name this way in the innumerable family trees of her innumerable kin.

But Frances Artis was not born a Hagans. She was a Seaberry, as her earliest records attest. She is Frances Seaberry, daughter of Aaron and Levisa Seaberry in both the 1850 and 1860 censuses. Most tellingly, it is the name Adam Artis gave the registrar when he applied for their marriage license in 1861.

How, this mix-up? It is a case of transferral. Frances’ mother’s maiden name was Hagans and gave birth to a son, Napoleon Hagans, before she married Aaron Seaberry. Napoleon Hagans grew to become one of the wealthiest “colored” men in Wayne County, larger than life, feared and respected by black and white alike. Given the shadow that Frances’ brother (probably half-brother, in fact) cast, it is not surprising that 50+ years after her death, her descendants assumed that she was a Hagans, too.

Scuffalong: Genealogy.

Tag Archives: Wayne County

100 acres on Watery Branch.

Appie Ward Hagans.

Jurors and judges of election.

Confederate map tells all.

68 acres on Turner Swamp.

Intersection.

DNA definites, no. 11: Artis & Aldridge.

Carrie Henderson Boseman Grantham.

Volte-face, no. 1; or 52 Ancestors: Daniel Artis.

Misinformation Monday, no. 6.