A right turn out of my parents’ neighborhood puts me onto Highway 58. Head southeast, cross the edge of Stantonsburg, over Contentnea Creek and the Greene County line, and, 13 miles from home, you reach Lane Road. Turn left, round the curve, and there, neatly marked and kept, is the Edwards cemetery. Here are buried Daniel Artis‘ daughter Clara, her husband Henry Edwards, and their descendants.
Photo taken today, Lisa Y. Henderson.
Years ago — 10? 15? — I ordered copies of two Confederate field maps from the fine folks at Wilson County Genealogical Society. (The originals are held at North Carolina State Archives.) The maps feature not only geographic markers, such as creeks and towns, but the names of landowners throughout the region. I remember intently scanning the area around modern-day Eureka, hunting for signs of my Artises and finding none. (Celia Artis is on one of the maps, but she’s not “mine.”) Disappointed, I folded them away in a box.
A couple of days ago, I stumbled across the maps while reorganizing some files. I let my eyes drift a little further afield and
SILAS BRYANT! JOHN LANE! DR. WARD!
jumped off the page.
Just like that, the locations of the farms on which Vicey Artis‘ children, including Adam, were apprenticed; Sylvania Artis‘ children were apprenticed; and Mittie Ward and Apsilla Ward Hagans were enslaved (by their father.) Not only that — with a little extrapolation from the 1860 census, I can determine approximately where my people were living during the War.
Here’s the first map (with my annotations in unfortunate grayscale, click to enlarge):
The left edge of the map is defined by the Wilmington & Weldon Railroad. (2) Nahunta, bottom left and now the town of Fremont, is exactly halfway between Wilson, seat of Wilson County, and Goldsboro, seat of Wayne County. Follow the road east out of Nahunta on what is now NC 222, and you’ll see (3) Martinsville, now Eureka. Angle southeast from Eureka on what is now Faro Road, then veer right at the fork onto what is now Lindell Road. (See “B. Mooring”? Frances Seaberry and her family are listed near his household in the 1860 census.) After crossing a north-south road, pre-Lindell takes a sharp turn north. Drag your finger straight across from the bend and you’ll touch two squared names — Silas Bryant and John Lane.
Here is Bryant’s household in the 1850 census of Greene County:
And on the next page:
As reflected on the map, Silas Bryant and John Lane lived in close proximity, and, on their land, sisters Sylvania and Vicey Artis, who owned no property. My great-great-great-grandfather Adam Artis and his sisters Charity and Jane are listed in Bryant’s household, which suggests that they served him as involuntary apprentices under North Carolina’s laws governing the labor of the children of unmarried free women of color. (Both Sylvania and Vicey were married, of course, but to enslaved men — relationships that were not recognized under the law.) The 1860 census suggests that John Lane also had apprentices, Sylvania’s younger children. Lane may also have owned their father, Guy, who adopted the surname Lane after emancipation.
[And remember this?: “On 20 Aug 1853, in Greene County NC, Silas Bryant sold Daniel Artis for $325 120 acres adjacent to the mouth of a lane at the dividing line between said Bryant and John Lane, the Bull Branch, and the mouth of Sellers Branch.” I think Daniel was Vicey and Sylvania’s brother.]
Where is this now? Just inside the Greene County line, dotted at left, Highway 58 crosses over Speights Bridge Road. The second road on the left is the same one shown on the field map and is still called Lane Road. (9) marks the approximate location of Silas Bryant’s home and (10), John Lane’s.
Due north of Lane and Bryant, across Contentnea Creek is another boxed name, Dr. Ward. This was David George Washington Ward, physician, wealthy planter, and owner of twin daughters, Mittie and Appie, whose mother was an enslaved woman named Sarah. (More about the Wards elsewhere.)
Just inside the Greene County line, a few miles southeast of Stantonsburg in Wilson County, (11) marks the approximate location of Dr. Ward’s house today. [Update: Actually, it’s the approximate location of Dr. Ward’s name on the map. His house was, and is, in Wilson County close to Stantonsburg.]
Back on pre-NC 222, about a third of the way between Martinsville/Eureka and Stantonsburg, a road leads off to the east toward Watery Branch Church. (It still does — and is called Watery Branch Road.) Barely legible is the name of one of the few free people of color marked on the map: Celia Artis. Though not related by blood, at least in any immediate way, Adam Artis and his family are listed next to her in the 1860 census, and their descendants intermarried. (And share a cemetery that lies next to the road about where the C is in Celia.) Here, then, is the approximate location of Adam Artis’ earliest farmland. He later accumulated property all along the highway.
Other landmarks on the field map: (4) Toisnot Swamp (marked Creek here), a tributary of the Contentnea that flows down from Wilson County; (5) Contentnea Creek itself; (6) Black Creek, another Wilson County tributary; (7) Aycock Swamp, another tributary, upon whose banks Adam Artis’ brother-in-law and Appie Ward’s husband Napoleon Hagans built his house; and (8) Turner Swamp.
At first glance, the document raises eyebrows. Brothers Walter and William Artis, successful farmers in their own right, were sharecroppers for William S. Hagans, their first cousin?
A second document sheds some light:
Three days before he signed the cropper agreement, William M. Artis and his brother’s wife Hannah Forte Artis signed an agreement for the purchase of the same 68 acres. (Why Hannah and not Walter??? He was very much alive.) The land was more explicitly described as: (1) a tract on Turner Swamp, known as the Jonah Reid place, that Hagans inherited from his father Napoleon Hagans; (2) a tract, known as the Daniel Reid place, that William Hagans purchased from J.D. Reid and was once part of the lands of Washington Reid, deceased; and (3) a lot of “mud land” on Spring Branch for marl (a lime-rich mud used to condition or de-acidify soil.) The purchase price? A seemingly extravagant $5000 — $300 due at signing, $700 in a year’s time, and the remaining $4000 in two notes payable at 6% interest in 1918 and 1919. (Five thousand dollars in 1916 adjusts to about $106,000 today. That’s considerable change.) It appears then that, per the cropper agreement, during the first year of the purchase agreement the Artis brothers agreed to pay $300 worth of any crops they produced on the land to Hagans. (In addition to the $300 paid him in January?)
Napoleon Hagans built his house on a tract of land straddling Aycock Swamp, the next tributary over from Turner Swamp. (Both flow into Contentnea Creek.) Washington Reid’s mother Rhoda Reid was a well-t0-do free woman of color who owned considerable farmland in extreme northwestern Wayne County, perhaps the land that William Hagans eventually bought. The entire course of Turner Swamp runs only a few miles, the last stretch beyond Wayne’s borders into Wilson County. I am beginning to consider this area ground zero for the Reids. (Future project: a dig in the deeds.)
A little hard to see, but the arrows point out the course of Turner Swamp. The green curve just below the lowest arrow marks the rise of the waterway, and the top arrow points out its approximate mouth just below Woodbridge Road in Wilson County. (And “swamp” it is. The soil of eastern North Carolina is flat and sandy or clay-ey, and the little branches off major creeks don’t so much flow as they do stand, with the barest perceptible current. Getting to their banks often requires boots — and a stout stick to beat back the cane and catbrier.)
[Though my format only infrequently focus on individuals, I’ve taken up the 52 Ancestors in 52 Weeks challenge. This is week 4, so I have some catching up to do. We’ll see.]
I had an inkling, didn’t I? Here’s what I wrote in my notes when I found Mariah Artis Swinson’s death certificate:
MARIAH SWINSON. Died 6 Feb 1955, 500 Creech Street, Goldsboro NC, arteriosclerosis. Born 14 Feb 1849 to Daniel Artis and unknown. Informant, Mrs. Mary Swinson. Buried 9 Feb 1955, Elmwood cemetery, Goldsboro NC. [Daniel Artis? Is this an error or was Mariah Silvania’s niece rather than her daughter? I conjectured that Daniel Artis was a brother of Silvania and Vicey Artis.]
Up to then, I had firmly believed that Mariah Artis Swinson, wife of Jesse Swinson, was the daughter of Guy Lane and Sylvania Artis, so I was thrown when her death certificate listed her father as Daniel. I had a Daniel Artis in my file with a question mark behind his name — was he Sylvania and Vicey Artis’ brother? He appears sparingly in records, and here’s all I knew about him:
On 20 Aug 1853, in Greene County NC, Silas Bryant sold Daniel Artis for $325 120 acres adjacent to the mouth of a lane at the dividing line between said Bryant and John Lane, the Bull Branch, and the mouth of Sellers Branch. Henry Martin witnessed. The deed was registered 7 Jun 1882. [Silas Bryant apprenticed the children of Vicey Artis, who may have been Daniel’s sister. John Lane apprenticed the children of Vicey’s sister Sylvania and probably owned her husband, Guy Lane.]
and
In the 1860 census, Bull Head, Greene County NC, 40 year-old free man of color Dannel Artis, a ditcher, is listed next door to the household of white farmer John Lane, who reported $10000 personal property and $25000 real property, included Dannel, Mike, Penney, Dyner, Juley, and Washington Artis, who were Silvania’s children.
I have not found Daniel in earlier censuses. However, a few days ago, following up a request for assistance by a descendant of a Daniel Artis from Greene County, I examined the will and probate records of a Daniel Artis who died in early 1905. The will, in black and white, stated that Mariah Swinson, wife of Jesse Swinson, was this Daniel Artis’ daughter, not Sylvania Artis’.
So, is Daniel Artis the will-maker the Daniel Artis that I believe to have been a brother of Vicey Artis Williams and Sylvania Artis Lane?
What does his will tell us?
There were two, in fact. The first, dated 15 January 1905, was recorded at the Greene County Courthouse in Will Book 1 at page 514; the second, dated two days later, at page 524. The legatees are the same, but the gifts packaged differently, so I present both:
Item 1. Page 514 — to daughter Clary Edwards, wife of Henry Edwards, his interest valued at $172 in the tract of land on which Clary and Henry live. The tract was purchased from Debro Cobb with money advanced from Henry Artis. If $172 is more than the other’s children’s share, Clary is to make them even, and vice versa. Page 524 — to daughter Clara Edwards, wife of Henry Edwards, his interest valued at $172 in the tract of land purchased from Debro Cobb. His agreement with Henry Edwards has not been recorded.
Item 2. Page 514 — to son Henry Artis, 1/4 interest in his real estate. Page 524 — to son Henry Artis, 40 acres, including the house in which Daniel then lived.
Item 3. Page 514 — to the children of his son Lodrick Artis (Anna Randolph, Frank Artis, Lula Forbes, Madison Artis, Marcellus Artis, Ernest Artis, Dicey Batts and Hannah Artis) 1/4 of his estate. Page 524 — to the children of Lodrick Artis and his wife Mandy, 40 acres (land Lodrick resided on at the time of his death) and all buildings thereon.
Item 4. Page 514 — to the children of his daughter Prior An Thompson (Isaac Sauls, C.D. Sauls, Maria Edwards and Clara Lane), 1/4 of his estate. Page 524 — to Prior An Thompson’s children and their heirs, 40 acres that Willis Thompson lives on.
Item 5. Page 514 — $50 to daughter Mariah Swinson, wife of Jesse Swinson, to be paid from the shares of the others in the amount of $12.50 each. Page 524 — A committee to be appointed to assess value of shares and make Clara Edwards’ share equal to the others, difference to be paid within seven years.
Item 6. Page 514 — none. Page 524 — Each lot to be taxed $12.50 to pay daughter Mariah Swinson, wife of Jesse Swinson.
Grandson Isaac Sauls was appointed executor in both, Daniel Artis signed each with an X, and both were proved on 21 March 1905.
Whatever his intent at clarification, things did not go well with Daniel’s estate. A Notice of Sale ran four weeks from December 1923-January 1924 in the Greene County weekly The Standard-Laconic announcing the sale of “a certain tract or parcel of land devised to Henry Artis by Daniel Artis by his last will and testament, … containing 40 acres.” The sale was advertised pursuant to a judgment in Greene County Superior Court in the matter of Frances Hall; Bennett Hall; Bessie Woodard, infant; and Alice Woodard, infant, by their next friend Amos Woodard v. J. Settle Artis and Roumania Artis. Settle Artis, who was Henry Artis’ son, had purchased the parcel at a courthouse sale the previous July. Frances and Bennett Hall were Settle’s sister and brother-in-law, and Amos Woodard was another brother-in-law, widower of Settle’s sister Dillie.
I don’t know what Hall et al. v. Artis was about, but the allegations of the next suit over Daniel’s estate — filed in 1930 — are clear. The case caption alone is daunting: Isaac Sauls; Walter Sauls; Luby Sauls; Edward Sauls; Hattie Speight and her husband Walter Speight; Mariah Thompson; Lillie May Sauls, minor, George Sauls, minor, Sarah Sauls, minor, Lillie Lee Sauls, minor, Walter Sauls, minor, appearing by their next friend, Luby Sauls; and Nettie Sauls; Henry B. Lane; Lillie Maud Best and her husband Alex Best; John H. Lane and Carrie D. Lane, a minor, children and heirs at law of Clara Thompson; Penny Edwards, Silas Edwards, Prior Edwards and the Henry Pettaway children as follows: Hadie Pettaway, minor, Willie Harrison Pettaway, Georgia May Pettaway, minor, Minnie Clyde Pettaway, minor, grandchildren of Mariah Edwards, by their next friend Henry Pettaway v. C.D. Sauls and Duffrey Edwards. In other words, a fight among the heirs of Daniel’s daughter Prior Ann Artis Sauls Thompson. The crux of the matter is set out in paragraph 10:
10. That the plaintiffs, heirs at law of Isaac Sauls, Mariah Edwards and Clara Thompson are the owners of three fifths of the land devised by Daniel Artis in Item 4 of his will to the children of his daughter Prior Ann and are entitled to have the defendant Cain D. Sauls declared to have the same held in trust for them and are entitled to an accounting of the rents and profits of the same from the date of his purchase in 1908.
Instead, they alleged, C.D. Sauls had been keeping hundreds of dollars of rent for himself and, in 1928, had sold the parcel to Duffrey Edwards for $3000, with full knowledge by Edwards that Sauls was trustee for his relatives. C.D. denied all, of course. In 1937, his daughter and son-in-law, Willie Sauls Burgess and W.D. Burgess, were added as defendants after C.D. and his wife Ada allegedly tried to fraudulently transfer the disputed property to her. In 1939, the clerk of court entered a non-suit judgment noting that the parties had reached an amicable settlement. No details were included. The matter was over.
So back to my original line of inquiry: who was this Daniel Artis?
Though he often managed to slip censustakers, the enumerator of the 1880 census found Daniel, his children Henry, Clara, Mariah, Prior Ann, and Lodrick, and their children living in a cluster in Bullhead district. (There was a marker for “Artis Town” at a spot in the road in Greene County. I think it’s in this area.) At #260, Henry Artis, 30, wife Mary, 27, and children Frances, 16, Didida, 8, Missouri, 7, Settle, 3, and Henry, 2. At #261, Henry Edwards, 40, wife Clara, 45, and children Thomas, 19, Wright, 18, Scott, 15, Eliza, 13, George, 11, Henry, 9, Daniel, 7, and William, 5. #264, Jessee Swinson, 23, wife Maria, 20, and son Charles, 1. #267, Willis Thompson, 28, wife Prior, 32, and his stepsons Isaac Sauls, 19, Cain Sauls, 18, and Richard Sauls, 15. #268, Timothy Edwards, 22, wife Maria, 21, and children Mony, 2, and Lilly, 7 months, niece Alice Wood, 15, and grandmother Maria Sauls, 60. #269, Lodrick Artis, 35, wife Amanda, 30, and children Hannah, 12, Frank, 10, Lula, 8, Sarah, 4, Monsey, 2, Lodrick, 1 month, and Marcellus, 1. #270, Daniel Artis Sr., 65, wife Eliza, 60, and granddaughter Ida, 9.
This Daniel is roughly the right age to be the one listed in the 1860 census and certainly old enough to have purchased property in 1853. [A future project: hunt for a plat or metes and bounds to compare that purchase with the land devides in 1905.] Daniel Artis and Eliza Faircloth registered their two-year cohabitation just over the county line in Wayne County. If they were, in fact, married in 1864, she was not the mother of his children, who were born circa 1835-1860. Like Eliza, though, their mother — or mothers — probably was enslaved, as were they. If Daniel was the brother of Silvania and Vicey, he followed in their footsteps by looking beyond the free colored community to find a spouse. (It is possible that the Daniel who married Eliza Faircloth was Daniel Artis, born in 1843 to Silvania Artis Lane. He and his wife Eliza appear in the 1880 census of Greene County with children Emma and James.)
It is time, I think, to adjust my files. Unlink Mariah Artis from Silvania and move her to Daniel, then enter all the new names I have for his descendants. The evidence is sparse and circumstantial, but sufficient to make a tentative determination that Daniel, Vicey and Silvania were siblings. They were born within about a ten-year span; they live in close proximity in Bull Head district, Greene County; they are the only Artises in the area (and among few in the county); they all had connections with Silas Bryant and/or John Lane; and there are some commonalities among the given names of their offspring (Silvania had a son Daniel; Silvania and Daniel had daughters named Mariah; and Vicey and Daniel had grandsons named Cain.)
Rev. Jonah Williams once led the flock at Turner Swamp, and its cemetery is full of kin.
There’s Richard Artis (whose father Richard was Jonah’s — and my great-great-great-grandfather Adam Artis‘ — brother) and his wife, Penny Coley Artis …
… Richard’s brother John Henry Artis (1896-1963) and sister Emma Artis Reid (1877-1964) …
… and several of Richard and Penny’s children, including Alfonza Artis (1908-1948), C. Columbus Artis (1910-1985), Louis D. Artis (1916-1983), Jonah Artis (1918-1966) and Jesse L. Artis (1919-1960) …
… and Magnolia Artis Reid (1871-1939), daughter of Richard and Jonah’s sister Loumiza Artis Artis (wife of Thomas Artis, no kin);
… and descendants of Adam, Richard, Jonah and Loumiza’s sister Zilpha Artis Wilson, wife of John Wilson, including her daughter Elizabeth Wilson Reid‘s children Milton C. Reid (1890-1961) and Iantha Reid Braswell (1893-1955) …
… Nora Artis Reid (1894-1965), who was married to her cousin Milton Reid and was the daughter of Adam Artis’ son Noah Artis, and …
… even Wade Ashley Locus (1897-1945), a distant Seaberry relative of Adam’s wife Frances Seaberry Artis.
Photos taken by Lisa Y. Henderson, December 2013.
Adam Artis bought and sold hundreds of acres in northeast Wayne County in the last half of the 19th century. Almost 160 years after he filed his first deed, his descendants remain on pockets of his land strung along Highway 222. More enduringly, their family cemeteries cluster east of Eureka toward Stantonsburg — at the heart of his erstwhile empire.
#1 marks the location of Adam Artis’ grave. His many wives and children notwithstanding, until the mid-1980s, his was the only readily identifiable grave in the plot.
#2 is the self-proclaimed “Historic John I. Exum” cemetery. Adam’s kin intermarried considerably with Exums, including his granddaughter Cora Artis, who married John Ed Exum, and his sister Delilah Williams, who married Simon Exum. Delilah and Simon, however, are buried at #3, along with several of their descendants.
Red Hill Road debouches into 222 across from #3. Not a half-mile back up the road, at least two and possibly four of Adam’s sons rest. Noah and June Scott Artis are buried in #4 with several of June’s offspring, as well as their brother Robert‘s wife and their brother Henry J.B.‘s wife and children.
About a half-mile, as the crow flies, south of #3 is #5, which contains the graves of Adam’s son William M. Artis and his descendants, as well a daughter of Adam’s brother Jesse Artis.
The road snaking northwest out of Eureka becomes Turner Swamp Road past the city limits. Just off the edge of this map, perhaps a mile up the road, stands Turner Swamp Baptist Church, once led by Jonah Williams, brother of Adam Artis, Jesse Artis and Delilah Williams Exum. A sizeable cemetery lies behind the church, and it contains the graves of Magnolia Artis Reid, daughter of Loumiza Artis Artis, who was another Artis sibling, as well as descendants of Zilpha Artis Reid and Richard Artis, yet more siblings. Turner Swamp itself appears as a dark green curve bracketing the upper left corner of the photo. It is likely that the original location of the church was north along the banks of the waterway, at the site where the overgrown graves of Jonah Williams and his family lie.
Back in the other direction, east on 222 toward Stantonsburg, lies Watery Branch Road. (The branch itself is the dark green sword piercing more than halfway into the frame from the right.) Perhaps a quarter-mile, if that far, down the road on the right lies the Diggs cemetery, another small family graveyard. Celia Artis, born about 1800, the wealthiest free woman of color in Wayne County, was the Diggs’ matriarch. She and Adam Artis’ kinship, if any, was unknown even to them. Two of Celia’s great-granddaughters married a son and a grandson of Adam Artis. Leslie Artis, his wife Minnie Diggs Artis, and some of their descendants are buried here.
Just south of Eureka, I crunch slowly up a gravel driveway toward a large, modern house. Three dirty-blond boys, alike enough to be brothers, stop their play in the garage to stare. I halt and ask permission to cross a small field to a cemetery marooned on a little island in its midst. They nod assent and return to their pastime, hip-hop blaring behind them. A lounging Rottweiler pays me no attention; a beagle mix wags greetings and accepts a head pat. I traverse perhaps 75 feet of damp soil to reach the hammock that holds the remains of William M. Artis and his family.
William and Etta Diggs Artis and children Doris, Tom and Elmer, mid-1930s.
William, son of Adam T. Artis and Frances Seaberry Artis, was in his 30s when he married Etta Diggs (1888-1988), daughter of Margaret Diggs and an unknown white man. Margaret Diggs was the daughter of Frances Artis, born free around 1842, and William Diggs. Frances Artis’ parents were Celia Artis, a wealthy free colored woman, and, reportedly, James Yelverton, a white man. Celia Artis was not related, at least in an immediate way, to William’s father, Adam.
It’s hard to tell below, but the William Artis graveyard is completely encircled by plowed land.
It’s in tolerable condition. Weedy, but it’s clear that it is periodically mowed.
Up close, one finds William and Etta,
and several of their ten children, including:
Others buried here include Frances Artis Edmundson‘s husband John H. Edmundson; Beulah Artis Best‘s husbands Leslie E. Exum and George Best; Leslie Exum’s mother, Ada Artis Exum Rowe, who, as the daughter of Jesse Artis and Lucinda Hobbs, was William Artis’ first cousin; and William and Etta’s daughter Margaret Artis Thompson (1910-1981) and her husband, J. Leslie Thompson.
This house stands in front the graveyard, facing the road. Was it William Artis’?
Beulah and Margaret Artis on either side of their cousin, Helen Carter, probably 1930s. Helen’s mother, Beulah Aldridge Carter, was their first cousin.
Copies of old photos courtesy of the late Dorothy Carter Blackman; others taken by Lisa Y. Henderson, December 2013.
I found this small cemetery down a little lane just off Red Hill Road, outside Eureka in Wayne County. A cleared section with several vaults abuts an appalling jungle of viney catbrier, completely impenetrable, in which several large headstones loom. Beyond the thicket is the neatly fenced graveyard of the Bectons, related to a set of Artises by marriage.
The graves of Noah Artis and Patience Mozingo Artis. Noah was one of Adam T. Artis‘ oldest sons, born in 1856 to his first legal wife, Lucinda Jones Artis. Patience was the daughter of Wiley and Agnes Allen Mozingo.
The grave of Amanda Aldridge Artis, who married Adam T. Artis in 1880. She was the daughter of Robert and Mary Eliza Balkcum Aldridge and died days after the birth of daughter Amanda Alberta Artis. Daughter Josephine Artis Sherrod told me that she, 12 years old at the time, found her mother’s lifeless body in bed.
June Scott Artis, son of Adam and Amanda Aldridge Artis, and half-brother of Noah Artis. His wife Ethel Becton Artis is buried beside him.
The grave of Christana Simmons Artis, wife of Adam and Amanda’s son Robert E. Artis, who presumably is also buried here.
Other family in this cemetery: Mary W. Artis, 1 Jan 1917-5 Oct 1994, wife of Edgar J. Artis; Edgar Joel Artis, 1914-1988, son of June and Ethel Becton Artis; James Brody Artis, 20 Nov 1912-10 Mar 1963, son of June and Ethel Becton Artis; Ethel Becton Artis, 3 Oct 1892-14 Oct 1994, daughter of William and Phoebe Taylor Becton; Dorena Artis Watson, 2 Sep 1925-30 Jul 1968, daughter of Henry J.B. and Laurina House Artis; Laurina Artis, 24 Feb 1895-29 Jul 1961, “wife of J.B.Artis,” daughter of Julius and Hattie Locus House; Roosevelt Artis, 11 Dec 1916-15 Sep 1918, “son of H.J.B. & Laurina Artis.” (Given the number of his children here, it also seems likely that Henry J.B. Artis lies in this cemetery.)
Photographs by Lisa Y. Henderson, December 2013.
Solomon Williams and Vicey Artis‘ youngest daughter, Delilah Williams, married Simon Exum around 1870. The couple settled on a farm near both of their families and reared seven children: Ora Exum Artis (1871-1933), Patrick Exum (1873-??), Mollie (1875-??), Alice Exum Finlayson (1877-1961), Alice Exum (1879-??), Loumiza Exum (1879), William Exum (1881-??), and Simon Exum Jr. (1884-1963).
Last summer, I drove up and down Highway 222 searching unsuccessfully for this family’s graveyard, which should have been just up the road from both Delilah’s brother Adam Artis’ grave and the larger Exum cemetery containing the remains of Simon’s parents, John and Sophronia Exum. Later, using GPS coordinates, I found it in the backyard, more or less, of a house whose occupants erected a six-foot fence to block the view. I returned yesterday and, across a plowed-under field, immediately spotted several stones, including:
Delilah Williams Exum (1851-1939), and
Simon Exum (1842-1915).
Other kin buried in this cemetery: grandson John Brogdus Artis (1903-1979), son of Ora Exum Artis; Emma E. Exum (1884-1978), wife of son Simon Exum Jr.; Estelle Exum (1910-1988), daughter of son Simon Jr.; Simon Exum Jr. (1884-1963); and daughter Alice Finlayson (1875-1961).
——
P.S. After posting this, I found this obituary in the 10 July 2009 edition of the Goldsboro News-Argus:
WASHINGTON D.C. — Simon Devon Exum, 59, formerly of Wayne County, died Tuesday at Washington Center Hospital.
His life will be celebrated Saturday at 11 a.m. at St. James Christian Church in Fremont, with minister James Earl Bunch officiating. His mortal remains will be laid to rest in the historic John C. Exum I Cemetery in Eureka.
Warm memories are cherished by his siblings, Larry Exum and Timothy Exum of Upper Marlboro, Md., Ray Exum and Brenda Mills of Goldsboro, Diane Exum of Chicago, Carol Packer of Eureka, Sherla Exum of Fremont and Gloria Exum of Wilson.
He will lie in state Saturday from 10:15 a.m. until the funeral hour at the church.
The family will receive friends at the home place, 3073 NC 222 East in Stantonsburg, where they will also assemble in preparation for the funeral procession.
John C. Exum was Simon Exum Sr.’s father. John and “Fraunie” Exum’s gravestones note that they were born free, but I’ve found no evidence of either pre-Civil War. 3073 NC 222 East is directly across the street from the house in front of the Simon Exum cemetery (which is probably now closed to burials,) and Simon Devon Exum was a son of M.R. Cornell Exum, son of Simon Exum Jr. 3073 caught my attention as I pulled my car off the road; it has recently been reduced to a pile of rubble.
Scuffalong: Genealogy. 