Today I reconnected with two of my uncle Jesse‘s children. The youngest I have not seen since 1987. The older, probably not since the mid-1970s. The tenth anniversary of his death is two weeks and two days away. A fortuitous restoration of ties.
My uncle, Jesse A. Henderson Sr., at my grandmother’s house in Philadelphia, mid-1980s.
By the early antebellum period, dozens of Artis families had drifted down from southern Virginia to form a large node in Wayne County. The 1840 census lists more than 40 Artis heads of household in that county. By contrast, there were never more than a handful of Artises recorded in neighboring Greene County in the antebellum era, and none at all before 1850. (This, of course, does not mean they were not there. Only that they did not qualify as heads of household.) Were the Greene County Artises an off-shoot of one of the many Wayne County Artis lines? Are they a single extended family? Were they all free prior to the Civil War? Or were some of them freedmen who adopted the surname of their free-born kin?
I’ve begun to pull together all sources of information about antebellum Artises in Greene County to try to find answers.
CENSUS RECORDS
In 1850, clustered:
In 1860, in Bull Head district:
And in Tyson’s Marsh district:
DEATH RECORDS
Margaret Artis. Died 4 March 1920, Carrs township, Greene County, North Carolina. Age 70. Widow of Ed Artis. Born Greene County to Penny Speight. Buried Carr’s Farm. Informant, Tom Speight. Not found in census or other records.
Thomas Artis. Died 30 July 1941, Bullhead township, Greene County, North Carolina. Widower of Mary Artis. Born 21 December 1853 in Wayne County to John and Leathy Artis. Buried family cemetery, by C.E. Artis. Informant, F[illegible] Exum. In the 1860 census of Davis district, Wayne County: John Artis, 39, wife Lethy, 40, and children Sarah J., 13, Zachary, 11, Millie, 9, Wm. T., 7, and Betsey Artis, 4. He was the grandson of Celia Artis.
Fillis Artis. Died 28 October 1916, Ormondsville township, Greene County, North Carolina. Married. Born 1853 in Greene County to Charity Edwards. Informant, W.H. Phillips. Phyllis Artis was not free-born, but married a man whose parents were. Phyllis Lee, age 35, daughter of Jerry Edwards and Charity Coward, married Rom Artis, 27, son of Jordan Artis and Arley [Olive] Artis, in Greene County on 11 January 1897. (Romilus was born about 1868, perhaps in Lenoir County. Census records show that his father lived in Wayne.) In the 1900 census of Contentnea township, Pitt County: Rom Artis (born 1868); wife Filliss (born 1860); four sons-in-law [stepsons?] John (1885), Allen (1886), Milton (1889) and Charley Leary (1891); son-in-law(?) William Artis (1893); daughter-in-law(?) Mande Artis (1895); and mother Ollie Artis (1840.)
Henry Artis. Died 10 January 1935 in Paris, Edgar County, Illinois. Barber. Resided 437 East Court. Born 21 March 1835, Snow Hill [Greene County], North Carolina to Louis Artis and Elizabeth Bass. Widower of Gabreil Artis. In the 1870 census of Otter Creek, Vigo County, Indiana: Lewis Artis, 39, Elizabeth, 38, Lucy A., 33, Elie, 20, Peggy, 14, Thomas, 8, John, 5, and William Artis, 4 months; the first three born in North Carolina. In the 1880 census of Charleston, Coles County, Indiana: North Carolina-born Henry Artis, 41, Ohio-born Ellen Artis, 43, and others.
CEMETERY RECORDS
Olive Artis. 1832-22 May 1904, Artis cemetery, Artis Cemetery Road, Greene County.
Phillis Artis. Wife of Rom Artis. 12 March 1861-28 October 1916, Artis cemetery, Artis Cemetery Road, Greene County. See Fillis Artis, above.
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I am maybe 12 or 13. It’s late summer, eastern North Carolina broiling summer, and I am whining to be allowed to hop on a truck at dawn and spend my days “cropping” tobacco. Some of my friends are going to do it, and it sounds like fun? My father laughs this away. No. My friends lasted a day, two days, then toppled from sun or nicotine poisoning or monstrous tobacco worms. I am still thanking him.
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East to west, the tobacco industry dominated North Carolina’s economic life for much of the 20th century. Though I honor their memory, there is no way to list everyone in my family who raised tobacco or labored in its fields. They number in the thousands. However, here are some who worked to prepare the Golden Weed for market or manufacture, mostly in the cavernous brick warehouses and factory buildings that stretched for blocks across southeast Wilson:
Eugene Stockton, Statesville NC – husband of Ida Colvert Stockton Stockton; tobacco roller at tobacco factory, circa 1910.
Mary Barnes Jones, Wilson NC – stemmer, tobacco factory, 1910s.
Sarah Henderson Jacobs Silver, Wilson NC – occasional tobacco factory worker, 1910s-1920s.
William I. Barnes, Wilson NC – husband of Madie Taylor Barnes; laborer, Export Leaf Tobacco Company, circa 1918.
Watt Kilpatrick, Winston-Salem NC – husband of Lizzie McNeely Kilpatrick Long; shape puller, R.J. Reynolds Tobacco Company, circa 1918.
Sylvester Watson, Wilson NC – tobacco worker, circa 1920.
Elnora Artis, Norfolk VA – stemmer, tobacco factory, circa 1920.
Hattie Artis Johnson, Norfolk VA – stemmer, tobacco factory, circa 1920.
Sylvester Barnes, Wilson NC – tobacco factory worker, circa 1936.
Eliza Taylor Taylor, Wilson NC – tobacco factory worker.
Jordan T. Taylor, Wilson NC – husband of Eliza T. Taylor; tobacco warehouse worker.
James Beasley, Greensboro NC — husband of Doris Holt Beasley; P.J. Lorillard employee, 1950s-1980s.
James W. Cooper, Wilson NC – husband of A. Alberta Artis Cooper; fireman, Jas.I. Miller tobacco company, 1960s.
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From the 1913 Sanborn Fire Insurance maps of Wilson, North Carolina.
This is what dirt looks like where I’m from. It is not the plush black alluvial loam of the Mississippi Delta or the thin, rock-bedeviled soil of New England. It looks, mostly, like sand. Like in this graveyard, just south of Stantonsburg, Wilson County, where some of my Hall collateral kin lie. 
The landscape of my childhood was level. Pine trees and flatness. Devoid, I thought, of any markers of geographical history. No boulder-strewn outcroppings, no foreboding hills, no deep-cut canyons. However, to the contrary, the most obvious relic of deep time was right under my feet.
I grew up on the western edge of North Carolina’s Coastal Plain, which was once the ocean floor. What looked like sand thrown up into the heels of my sneakers in fact was. The story wasn’t quite that simple though. I recall that patches of dirt in some places — like my parents’ back yard — are a pale gray, while others are the soft yellow of the Hall graveyard or, in veins here and there, the rusty-red of clay.
A few days ago, I found a soil survey map of Wayne County, North Carolina, dated 1916. Wayne, where my father’s mother’s people have lived since beyond memory, is just south of my home county. Seldom do I visit my parents that I don’t hop in the car for a quick dip down there. It’s a mere ten miles to the northern corner where my Artises and Haganses and Seaberrys lived, and just another 30 to get down to Dudley, where my Hendersons and Aldridges took root. What could this map, with its colorful camouflagey swirls of color, tell me about their land? The soil from which they pulled sweet potatoes and collards and the cotton and tobacco that put money in their pockets?
Here’s Nahunta, with Fremont at far left and Eureka at right. The road crossing from edge to edge is now known as Highway 222, and I have cousins that still live on it. That brownish sickle under N A H is marked S, which the key tells us is “Swamp.” Specifically, this is Aycock Swamp, upon whose banks Napoleon Hagans built his house. Another bit of S juts between U and N — that’s the tail end of Turner Swamp. And reaching in from Greene County is the swamp that envelops Watery Branch. 
Just below Eureka is a blob of Nv, “Norfolk very fine sandy loam.” The greenish Nf that dominates the frame is “Norfolk fine sandy loam.” This is Adam Artis territory. The pale lavender-gray that washes across the middle is plain “Norfolk sandy loam,” Nl. The only color left in the areas in which my family lived is the sliver of peach that hugs the south side of Aycock Swamp — Ps or “Portsmouth sandy loam.” What is all this?
From a very helpful PDF linked to the pittcountync.gov website: “The Norfolk series consists of well-drained, nearly level and gently sloping soils on uplands. These soils formed in Coastal Plain sediment. A seasonal high water table is below a depth of 5 feet. In a typical profile, the surface layer is dark grayish-brown and light yellowish-brown sandy loam about 10 inches thick. The subsoil is olive yellow and brownish yellow to a depth of about 84 inches. In the upper part, the subsoil is friable sandy clay loam mottled with red. In the lower part, it is friable sandy loam mottled with red and gray. Natural fertility and the content of organic matter are low, and available water capacity is medium. Permeability is moderate, and shrink-swell potential is low. In areas that have not received lime, reaction is strongly acid or very strongly acid. The Norfolk soils of Pitt County are important for farming. Slope is the major limitation to their use. Most of the acreage is cultivated or in pasture. The rest is chiefly in forest and in housing developments or other nonfarm uses. Where crops are grown, response is good to recommended applications of fertilizer and lime.” (Pitt County is on the other side of Greene from Wayne County.)
From the same source: “The Portsmouth series consists of very poorly drained, nearly level soils on stream terraces. These soils formed in alluvial sediment. A seasonal high water table is at or near the surface. In a typical profile, the surface layer is very dark gray and very dark grayish-brown loam about 15 inches thick. The subsoil is about 24 inches thick. The upper part is grayish-brown, friable sandy loam mottled with grayish brown. The lower part is grayish-brown, friable, sandy clay loam mottled with yellowish brown. Below the subsoil and extending to a depth of about 68 inches is grayish-brown and light brownish-gray sand and coarse sand. Natural fertility is low, and the content of organic matter and available water capacity are medium. Permeability is moderate, and shrink-swell potential is low. In areas that have not received lime, reaction is strongly acid or very strongly acid. The Portsmouth soils in Pitt County are of only minor importance for farming. Major limitations to their use are the seasonal high water table and frequent flooding for brief periods. Most of the acreage is in forest, and the rest is chiefly in cultivated crops or pasture. Where crops are grown they respond well to recommended applications of fertilizer and lime.”
These flat acres of mostly Norfolk series soil, then, with liberal amendment, were much better quality farmland than I would have supposed.
The same was true in Brogden township, at the other end of the county. Today’s major roads, two-lane 117 Alternate and four-lane 117, which roughly parallel the railroad to the west, did not exist in 1916. (In fact, what is now Highway 117 was cut through well into my adulthood.) The railroad is still there, though, as is the road (now called O’Berry/Sleepy Creek Road) that crossed the tracks at Dudley’s little heart. Some of the little black specks you can barely see marked my people’s houses. I know, for example, that Aldridges lived along the railroad among the little dots marked opposite COAST. And the Congregational Church cemetery was just below Yellow Swamp, the shallow branch in which my people were baptized.
The Hendersons and Aldridges and their related families, Simmonses, Wynns, Manuels, and Jacobses among them, lived within a few miles’ radius of Dudley. The soils they wrestled with included Norfolk sand (N), Norfolk sandy loam (Nl), Portsmouth sandy loam (Ps), and Ruston sandy loam (Rs). The same basic dirt as in the north of the county, with the addition of the Ruston, defined here: “The Ruston series consists of very deep, well drained, moderately permeable soils that formed in loamy marine or stream deposits. These soils are low in fertility and within the root zone have moderately high levels of exchangeable aluminum that are potentially toxic to some agricultural crops but are ideal for the production of loblolly, slash, and longleaf pine. The soils have slight limitations for woodland use and management.”
The earliest family members to pledge the Divine Nine:
Joseph H. Ward — Kappa Alpha Psi (Kappa Alpha Nu), graduate chapter, Indianapolis, 1913.
Oscar Randall — Alpha Phi Alpha, Tau chapter, University of Illinois, circa 1919.
Arnetta Randall — Zeta Phi Beta, Alpha chapter, Howard University, circa 1923.
Charles C. Coley — Kappa Alpha Psi, Beta chapter, Howard University, circa 1928.
William N. Hagans — Omega Psi Phi, Alpha chapter, Howard University, Spring 1930.
Mable Williams — Delta Sigma Theta, Alpha chapter, Howard University, circa 1931.
Irvin L. McCaine — Alpha Phi Alpha, Beta chapter, Howard University, circa 1932.
J. Thomas Aldridge — Phi Beta Sigma.
As mentioned, Nancy Henderson Smith was my great-great-great-grandfather Lewis Henderson‘s half-sister, but she was closer in age to his children. She and her sisters Mollie Henderson Hall Holt and Louella Henderson King Wilson Best Laws were particularly close to Lewis’ daughter Sarah Henderson Jacobs Silver, who reared my grandmother (her sister Loudie‘s grandchild) after she was effectively orphaned.
In 1881, Nancy married Isham Smith. They settled in the Harrell Town section of Goldsboro, where Isham worked as a wagon driver, occasional blacksmith, and then an undertaker. Their children were: Annie Smith Guess (1883-1953), Oscar Smith (1884), Furney Smith (1886), Ernest Smith (1888-1918), Elouise Marie Smith (1890), Johnnie Smith (1891), Mary E. Smith Southerland (1894), James Smith (1896), Willie Smith (1899-1912), Effie May Smith Stanfield (1904), and possibly Bessie Lee Smith (1911). (Was Bessie really a daughter? Nancy was born about 1864! A granddaughter maybe?) Isham died in 1914, and Nancy married Patrick Diggs four years later. After Patrick’s death, Nancy restored her first husband’s surname. She died in Goldsboro in 1944.
Here’s what marriage licenses reveal about this family:
And what of Nancy’s remaining children?
Goldsboro News Argus, 27 January 1906.
Goldsboro News Argus, 23 February 1907.
A hostler was a groom or stableman employed to care for horses in a stable, often at an inn or hotel.
Fletcher Reeves, Charlotte NC – husband of Angeline McConnaughey Reeves; hostler, J.W. Wadsworth and others, circa 1880-1912.
Robert Wooten, Goldsboro NC – husband of Mary J. Henderson Wooten; hostler, circa 1910.
Ned Barnes, Raleigh NC – hostler and coachman, circa 1910.
Jack Henderson, Wilson NC – hostler, J.W. Farrior Stables, circa 1910.
I found this image in the digital Heritage of Black Highlanders Collection of the University of North Carolina-Asheville’s Ramsey Library. Taken in 1945, the photograph is entitled “Marian Anderson visits Stephens-Lee,” a high school in Asheville. Anderson was in town to give a recital at the City Auditorium. She is, of course, standing at middle, facing the camera squarely. Others on the front row, left to right, were Mable McCaine, teacher (in light-colored dress); an unidentified woman; Vernon Cowan, teacher; Frank Toliver, principal; J.D. Carr, editor of Carolina Times; and Isabell Jones, a music teacher at Allen High School.
Mable Williams McCaine was born 23 November 1912 in Goldsboro, North Carolina, to Clarence J. Williams and Daisy Aldridge Williams. Her maternal grandparents were Matthew W. and Fannie Kennedy Aldridge. The Williamses relocated to Asheville before 1920. Mable married Irvin L. McCaine, and the couple lived in Asheville with their two young sons in the 1940s.
As noted previously, there is no known relationship between Celia Artis and my great-great-great-grandfather Adam T. Artis, though it is likely that most free colored Artises shared a common ancestor in the misty mists of time. Like, the late 17th century. Celia’s family and Adam’s family were among several sets of Artises living in northeastern Wayne County in the antebellum era, and they intermarried and otherwise interacted regularly. Here’s what I know of Celia Artis and her descendants.
Celia Artis was born just before 1800, presumably in Wayne County. Nothing is known of her parentage or early life. She married an enslaved man named Simon and gave birth to at least six children. In 1823, she gave complete control over her oldest children to two white neighbors, brothers (or father and son) Elias and Jesse Coleman, in a dangerously worded deed that exceeded the scope of typical apprenticeship indentures: This indenture this 16th day of August 1823 between Celia Artis of the County of Wayne and state of North Carolina of the one part, and Elias and Jesse Coleman of the other part (witnesseth) that I the said Celia Artis have for an in consideration of having four of my children raised in a becoming [illegible], by these presence indenture the said four children (to viz) Eliza, Ceatha, Zilpha, and Simon Artis to the said Elias and Jesse Coleman to be their own right and property until the said four children arives at the age of twenty one years old and I do by virtue of these presents give and grant all my right and power over said children the above term of time, unto the said Elias and Jesse Coleman their heirs and assigns, until the above-named children arives to the aforementioned etc., and I do further give unto the said Elias and Jesse Coleman all power of recovering from any person or persons all my right to said children — the [illegible] of time whatsoever in whereof I the said Celia Artis have hereunto set my hand and seal the day and year above written, Celia X Artis.
Despite the “own right and property” language, Celia did not sell her children exactly, but what drove her to this extreme measure? Because she was not legally married, her children were subject to involuntary apprenticeship until age 21. This deed records her determination to guard her children from uncertain fates by placing them under the control of men she trusted, rather than those selected by the court.
Despite the deed’s verbiage, it is likely that the children continued to live with their mother during their indenture. Certainly, Celia, unlike many independent women of the era, had the wherewithal to care for them, as evidenced by her purchase of 10 acres from Spias Ward in 1833. Wayne County deeds further show purchases of 124 acres and 24 acres from W[illiam] Thompson in 1850 and 1855.
By 1840, Celia Artis was head of a household of eight free people of color in Black Creek district, Wayne County — one woman aged 36-54; three girls aged 10-23 [Eliza, Leatha, Zilpha]; one girl under 10 [unknown]; two boys aged 10-23 [Calvin and Simon]; and one boy under 10 [Thomas].
In the 1850 census, she was enumerated on the North Side of the Neuse, Wayne County, as a 50 year-old with children Eliza, 34, Zilpha, 28, Thomas, 15, and Calvin, 20, plus 6 year-old Lumiser, who was probably Eliza’s daughter. Celia is credited with owning $600 of real property (deeds for much of which went unrecorded), and the agricultural schedule for that year details her wealth:
She also appears in the 1850 Wayne County slave schedule, which records her (and another free woman of color Rhoda Reed’s) ownership of their husbands:
In 1860, in a surprise move, the census taker listed Simon Pig Artis, Celia’s husband, as the head of household. If he’d been freed formally, there’s no record of it. (Simon Pig’s nickname is explained here.) He is also listed as the 70 year-old owner of $800 of real property and $430 of personal property — all undoubtedly purchased by Celia. Their household included son Thomas, daughter Zilpha, and granddaughters Lumizah, 17, and Penninah, 11. On one side of the family: the widower Adam T. Artis, his three children, his sister and her child; on the other: Celia and Simon’s son Calvin, his wife Serena [maiden name Seaberry, and a cousin of Adam’s next wife Frances Seaberry], and their four children. Other neighbors included Lemuel Edmundson.
The 1863 Confederate field map below indicates “C. Artis” near Watery Branch and “L. Edmundson.” (The stars mark the creek and the towns of Stantonsburg and “Martinsville,” now Eureka.) The family’s cemetery remains on that land, as marked in the second map. (Watery Branch is perhaps a mile south along Watery Branch Road. And Diggs Chapel, presumably, is connected to the family. See Eliza Artis, below. The road visible below Celia’s name on the 1863 map was probably the precursor of Watery Branch Church Road.) 
During the Civil War, both Celia Artis and her son Calvin were assessed taxes by the Confederate state government in the form of tithed crops. In December 1863, Celia had to hand over a tenth of her 2500 pounds of cured fodder to support the war effort.
Neither Celia nor Simon appears in the 1870 census. It seems likely that Celia was alive for at least a few more years, however, as her estate was not opened until 1879. It was surprisingly small, suggesting that she had distributed most her land and valuables (or otherwise lost them) before her death. Son Thomas is listed as the sole heir to her $200 estate. I don’t know what became of Simon Pig.
Here’s what I know of Celia Artis’ children:
In the Name of God Amen: I Eliza Artis of the County of Wayne and State of North Carolina being of sound mind and memory and considering the uncertainty of human life do therefore make Publish and declare this to be my last Will and testament: That is to say first after all my burial expenses are paid and discharged the residue of my estate. I give and bequeath and dispose of as follows to wit to John Newsom son of James Newsom and Penina Newsom Four Dollars to Francis Diggs all the balance of my personal and real estate that I may be in Possession of at my death during her Natural life and after the death of said Francis Diggs all of said Personal and real estate is to be equally divided between Francis Diggs’s three children Sula Artis Margrett Diggs and William Diggs Likewise I make constitute and appoint Noble Exum and George Exum to be my Executors to this my last Will and testament hereby revoking all former wills made by me In witness whereof I have hereunto subscribed my name and affixed my seal this the eleventh day of February in the year of our lord one Thousand eight hundred and Ninety Eliza X Artice {seal} In the presence of Witnesses John H. Skinner, R.H. X Locus Hand-written notation in margin: “See Book No 32 Page 320 Register of Deeds Office” [Wayne County Will Book 1, page 524]
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I Lethy Ann Artice of Nahunta Township, State of North Carolina being of sound mind and memory, do declare this to be my last will and testament. I give and bequeath to my son James Artice Five acres of land known as my fathers place to have to hold through his natural life, after his death to Maggie Artis his daughter. But should she want to live on said land before his death, I give her a right, so to do. I give and bequeath to Luby Baker and Anna Baker the children of Mildly Baker Four acres provided Mildly Baker shall be guardian for said children until they reach their majority. I give and bequeath to Bettie Bradford and Brantham Five acres land to have and to hold their natural life afterwards to their heirs. I give and bequeath to Zachary Artice Five acres land. I give and bequeath to John and Octavius the sons of Thomas Artis my son Four acres land if they should want to sell each other all right but no one else. I give and bequeath to Zachary his fathers chest. All heirs to pay Zachary Artice for burial expenses Sarah & Jackson, before coming in possession of the property I give. I also give to Zachary the big pot, I also give him his house, no matter on whose land it falls on. Be it understood I have already given Zachary ½ acre during my life time. I also gave Thomas Two Dollars and a Bull. I also give Baker a cow and calf, Betsey two Dollars I say this to show what I have given. Betsey and Mildly I give one bed a piece, my large bed to be divided between Tom & Zachary. I also give Maggie Artice James daughter, Sarahs chest. I also give the [illegible] and gear to Scintha Ann Artice. All the heirs, with Scintha Ann take my wearing clothes also House furniture also. But should Zachary want any particular thing, as he been my protector let him have it I appoint I.F. Ormond Executor of this will. In witness whereof I Letha Ann Artice have herewith set my hand and seal This 9th day of Oct 1892 Letha Ann X Artice Subscribed by the testator in the presence of each of us and declared by her to be the last will testament Witnesses J.H. Skinner, Noble Exum [Wayne County Will Book 2, page 184; proved 2 January 1897, Superior Court, Wayne County]
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Know all men by these presents that I Zilpha Artis of the County of Wayne and State of North Carolina being of sound mind and memory but considering the uncertainty of life do make and declare this my last will and testament in manner and form following that is to say. That my Executor Philip Fort shall provide for my body a decent burial according to the wishes of my relatives and friend and pay all funeral expenses together with my just debts to whomsoever due out of the money that may first come into his as a part or parcel of my estate. I give and devise to my niece Francis Diggs all of my entire lands and all my household and Kitchen furniture to have and to hold to her the said Francis Diggs for and during the time of her natural life and after her death to be equally divided between her two children Sula Artis and Margaret Diggs their heirs and assigns forever I give and bequeath to my Sister Eliza Artis the sum of fifty cents I give and bequeath to my Sister Leatha Artis the sum of fifty cents I give and bequeath to Brother Calvin Artis the sum of fifty cents And I give and bequeath to my brother Thomas Artis the sum of fifty cents And lastly I do hereby appoint and constitute Phillip Fort my lawful executor to all intents and purposes to execute this my last will and testament according to the true intent and meaning of the same and every part and clause therein hereby revoking and declaring utterly void all other wills and testaments by me heretofore made. In testimony whereof I the said Zilpha Artis do hereunto set my hand and seal this 19th day of November A.D. 1881 Zilpha X Artis {seal} Signed and sealed in the presence of B.J. Person, John B. Person [Wayne County Will Book 1, page 245; proved 20 September 1882, Probate Court, Wayne County]
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Federal population, agricultural and slave schedules;Confederate Papers Relating to Citizens or Business Firms, 1861-1865, National Archives and Record Administration; Deeds, Register of Deeds Office, Wayne County Courthouse, Goldsboro; Will Books, Office of Clerk of Superior Court, Wayne County Courthouse, Goldsboro.
Remembering my grandmother’s beloved sister, Mamie Henderson Holt, on what would have been her 108th birthday.
Scuffalong: Genealogy. 